Collaboration a potential history of photography
Azulai, Ariʾelah 1962-
Collaboration a potential history of photography Ariella Aïsha Azoulay, Wendy Ewald, Susan Meiselas, Leigh Raiford, Laura Wexler - 287 Seiten Illustrationen 29 cm
Includes bibliographical references and index
Collaboration is a groundbreaking publication, by five great thinkers and practitioners in photography, in collaboration with hundreds of photographers, writers, critics, artists, and academics. This collection uses the lens of collaboration to challenge dominant narratives around photographic history and authorship. Working with an accumulation of more than six hundred photographs, each entry breaks apart photography’s "single creator" tradition by bringing to light tangible traces of collaboration—the various relationships, exchanges, and interactions that occur in the making of any photograph and in the shaping, undoing and transforming archives. The book explores themes such as coercion and cooperation, friendship and exploitation, shared interests and competition, and rivalry or antagonistic partnership. Collaboration foregrounds key issues facing photography, including gender, race, and societal hierarchies/divisions—and their role in shaping and reshaping identities and communities, and provoking resistance or conformity.
9780500545331 hardback 0500545332
Photography--History
Photographers--History
Photographie - Histoire
Photographes - Histoire
Photography
History
Fellow Class of Spring 2024 Anna-Maria Kellen Fellow John P. Birkelund Fellow in the Humanities Class of Spring 2022
Aufsatzsammlung
TR15
770.9
Collaboration a potential history of photography Ariella Aïsha Azoulay, Wendy Ewald, Susan Meiselas, Leigh Raiford, Laura Wexler - 287 Seiten Illustrationen 29 cm
Includes bibliographical references and index
Collaboration is a groundbreaking publication, by five great thinkers and practitioners in photography, in collaboration with hundreds of photographers, writers, critics, artists, and academics. This collection uses the lens of collaboration to challenge dominant narratives around photographic history and authorship. Working with an accumulation of more than six hundred photographs, each entry breaks apart photography’s "single creator" tradition by bringing to light tangible traces of collaboration—the various relationships, exchanges, and interactions that occur in the making of any photograph and in the shaping, undoing and transforming archives. The book explores themes such as coercion and cooperation, friendship and exploitation, shared interests and competition, and rivalry or antagonistic partnership. Collaboration foregrounds key issues facing photography, including gender, race, and societal hierarchies/divisions—and their role in shaping and reshaping identities and communities, and provoking resistance or conformity.
9780500545331 hardback 0500545332
Photography--History
Photographers--History
Photographie - Histoire
Photographes - Histoire
Photography
History
Fellow Class of Spring 2024 Anna-Maria Kellen Fellow John P. Birkelund Fellow in the Humanities Class of Spring 2022
Aufsatzsammlung
TR15
770.9