MARC details
| 000 -LEADER |
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| fixed length control field |
07144cam a2200637 4500 |
| 001 - CONTROL NUMBER |
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| control field |
723821550 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
DE-627 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230208141955.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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| fixed length control field |
tu |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
120904s2012 xxu||||| 00| ||eng c |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2012031590 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780816636310 |
| Terms of availability |
: hardback |
| -- |
978-0-8166-3631-0 |
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| International Standard Book Number |
9780816676019 |
| Terms of availability |
: pb |
| -- |
978-0-8166-7601-9 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(DE-627)723821550 |
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| System control number |
(DE-599)GBV723821550 |
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| System control number |
(OCoLC)788274267 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DE-627 |
| Language of cataloging |
ger |
| Transcribing agency |
DE-627 |
| Description conventions |
rda |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| 044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE |
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| ISO country code |
XD-US |
| -- |
XA-GB |
| 050 #0 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
HV6995.N3 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
364.1060945/731 |
| Assigning agency |
LOC |
| Edition number |
23 |
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| Classification number |
SOC002010 |
| -- |
MUS015000 |
| Assigning agency |
bisacsh |
| 084 ## - OTHER CLASSIFICATION NUMBER |
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| Classification number |
8,2 |
| Number source |
ssgn |
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| Classification number |
MS 1870 |
| Number source |
rvk |
| Authority record control number or standard number |
(DE-625)rvk/123622: |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
DE-4047 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Pine, Jason |
| Relator term |
VerfasserIn |
| Relationship |
aut |
| 245 14 - TITLE STATEMENT |
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| Title |
The art of making do in Naples |
| Statement of responsibility, etc. |
Jason Pine |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
Minneapolis |
| -- |
London |
| Name of producer, publisher, distributor, manufacturer |
University of Minnesota Press |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2012] |
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| Date of production, publication, distribution, manufacture, or copyright notice |
© 2012 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
x, 360 Seiten |
| Other physical details |
Illustrationen |
| Dimensions |
23 cm |
| 336 ## - CONTENT TYPE |
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| Content type term |
Text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
ohne Hilfsmittel zu benutzen |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
Band |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
Includes bibliographical references and index |
| 505 80 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy. |
|
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| Formatted contents note |
Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- |
|
|---|
| Summary, etc. |
"The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- |
|
|---|
| Summary, etc. |
Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Crime |
| Geographic subdivision |
Italy |
| -- |
Naples |
| 653 ## - INDEX TERM--UNCONTROLLED |
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| Local classification |
Class of Fall 2015 |
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| Local classification |
Bosch Fellow in Public Policy |
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| Local classification |
Fellow |
| 689 00 - |
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g |
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(DE-588)4041476-0 |
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(DE-627)106218999 |
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(DE-576)209045191 |
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Neapel |
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gnd |
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s |
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(DE-588)4284675-4 |
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(DE-627)104326026 |
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(DE-576)210793058 |
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Camorra |
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gnd |
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s |
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(DE-588)4043830-2 |
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(DE-627)104189177 |
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(DE-576)209057513 |
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Organisiertes Verbrechen |
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gnd |
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s |
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(DE-588)4001307-8 |
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(DE-627)106397591 |
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(DE-576)20884225X |
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Alltag |
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gnd |
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s |
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(DE-588)4037875-5 |
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(DE-627)106235087 |
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(DE-576)209027010 |
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Massenkommunikation |
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gnd |
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s |
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(DE-588)4125698-0 |
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(DE-627)104470348 |
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(DE-576)209578750 |
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Kultur |
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gnd |
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| -- |
(DE-627) |
| 951 ## - EQUIVALENCE OR CROSS-REFERENCE--GEOGRAPHIC NAME/AREA NAME [OBSOLETE] [CAN/MARC only] |
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| Geographic name |
BO |
| 924 0# - |
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| -- |
162689342X |
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DE-Luen4 |
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Luen 4 |
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GBV |
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c |
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16-13597 |
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CAM |
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1641818115 |
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DE-1373 |
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1373 |
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GBV |
| -- |
c |
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MS 1870 043 |
| -- |
EG |
| 936 rv - OCLC/CONSER MISCELLANEOUS DATA (OCLC); PIECE USED FOR CATALOGING (pre-AACR2) (RLIN) |
|---|
| OCLC control number(s) of parallel record(s) (OCLC); Piece used for cataloging, PUC (RLIN) |
MS 1870 |
| -- |
Städte (Monografien) |
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Spezielle Soziologien |
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Stadtsoziologie |
| -- |
Städte (Monografien) |
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(DE-627)1271440954 |
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(DE-625)rvk/123622: |
| -- |
(DE-576)201440954 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| -- |
F:HV6995.N3 P56 2012 |
| -- |
F |
| Koha item type |
single unit book |