MARC details
000 -LEADER |
fixed length control field |
03101cam a2200457 i 4500 |
001 - CONTROL NUMBER |
control field |
22171809 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
DE-4047 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240222163318.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
210810s2022 ctuaf b 001 0 eng d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2021944874 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0300233701 |
Qualifying information |
(hardcover) |
|
International Standard Book Number |
9780300233704 |
Qualifying information |
(hardcover) |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)on1262192976 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
YDX |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
YDX |
Modifying agency |
BDX |
-- |
ERASA |
-- |
UKMGB |
-- |
OCLCO |
-- |
CDX |
-- |
NYP |
-- |
OCLCF |
-- |
TJC |
-- |
PSC |
-- |
DLC |
042 ## - AUTHENTICATION CODE |
Authentication code |
lccopycat |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML197 |
Item number |
.M193 2022 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
780.9/04 |
Edition number |
23 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Mauceri, John, |
Relator term |
author. |
245 14 - TITLE STATEMENT |
Title |
The war on music : |
Remainder of title |
reclaiming the twentieth century / |
Statement of responsibility, etc. |
John Mauceri. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
New Haven : |
Name of producer, publisher, distributor, manufacturer |
Yale University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2022] |
300 ## - PHYSICAL DESCRIPTION |
Extent |
232 pages, 4 unnumbered pages of plates : |
Other physical details |
illustrations (some color) ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
|
Content type term |
still image |
Content type code |
sti |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction -- A view from 30,000 feet -- Brahms and Wagner : the twilight of two gods -- Stravinsky and Schoenberg : overtures to the Great War -- The lure of chaos -- Hitler, Wagner, and the poison from within -- Stalin and Mussolini make music -- The miracle of a second exodus -- A new war, an old avant-garde -- A Cold War defines contemporary music -- Creating history and erasing history -- Of war and loss -- A century ends -- Appendix : A personal diary. |
520 8# - SUMMARY, ETC. |
Summary, etc. |
This book offers a major reassessment of classical music in the twentieth century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War. Probing why so few works have been added to the canon since 1930, Mauceri examines the trajectories of great composers who, following World War I, created voices that were unique and versatile, but superficially simpler. He contends that the fate of composers during World War II is inextricably linked to the political goals of their respective governments, resulting in the silencing of experimental music in Germany, Italy, and Russia; the exodus of composers to America; and the sudden return of experimental music-what he calls "the institutional avant-garde"-as the lingua franca of classical music in the West during the Cold War. |
590 ## - LOCAL NOTE (RLIN) |
Local note |
"In 2000, two Russian-American fellows - visual artist - at Berlin's American Academy became exasperated with me on the subject of contemporary music and said, "Why do you support music that needs no support?" -- p.18 |
648 #7 - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM |
Chronological term |
1900-1999 |
Source of heading or term |
fast |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Music |
Chronological subdivision |
20th century |
General subdivision |
History and criticism. |
|
Topical term or geographic name entry element |
Music. |
Source of heading or term |
fast |
Authority record control number or standard number |
(OCoLC)fst01030269 |
653 ## - INDEX TERM--UNCONTROLLED |
Local classification |
Written at the Academy |
|
Local classification |
Fellow |
|
Local classification |
Berlin Prize Fellow |
|
Local classification |
Class of Spring 2000 |
655 #7 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Criticism, interpretation, etc. |
Source of term |
fast |
Authority record control number or standard number |
(OCoLC)fst01411635 |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
7 |
b |
cbc |
c |
copycat |
d |
2 |
e |
ncip |
f |
20 |
g |
y-gencatlg |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Library of Congress Classification |
Koha item type |
single unit book |