MARC details
000 -LEADER |
fixed length control field |
03154cam a2200445 4500 |
001 - CONTROL NUMBER |
control field |
1672286883 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
DE-627 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240905154656.0 |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
fixed length control field |
tu |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190827s2020 xxu||||| 00| ||eng c |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2019032494 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781478007685 |
Terms of availability |
hardcover ; acid-free paper |
|
International Standard Book Number |
9781478008132 |
Terms of availability |
paperback ; acid-free paper |
|
Canceled/invalid ISBN |
9781478009092 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(DE-627)1672286883 |
|
System control number |
(DE-599)KXP1672286883 |
|
System control number |
(OCoLC)1191857232 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DE-627 |
Language of cataloging |
ger |
Transcribing agency |
DE-627 |
Description conventions |
rda |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE |
ISO country code |
XD-US |
050 #0 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PS3557.R76 |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
811/.54 |
Assigning agency |
LOC |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Grubbs, David |
Dates associated with a name |
1967- |
Relator term |
VerfasserIn |
Authority record control number or standard number |
(DE-588)1055069909 |
-- |
(DE-627)792622766 |
-- |
(DE-576)411138847 |
Relationship |
aut |
9 (RLIN) |
311 |
245 14 - TITLE STATEMENT |
Title |
The voice in the headphones |
Statement of responsibility, etc. |
David Grubbs |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Durham |
-- |
London |
Name of producer, publisher, distributor, manufacturer |
Duke University Press |
Date of production, publication, distribution, manufacture, or copyright notice |
2020 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
146 Seiten |
336 ## - CONTENT TYPE |
Content type term |
Text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
ohne Hilfsmittel zu benutzen |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
Band |
Carrier type code |
nc |
Source |
rdacarrier |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"THE VOICE IN THE HEADPHONES is a book-length poem, largely but not exclusively in prose. Following in form Grubbs's previous book, Now the Audience is Assembled, which was about a musical performance, this book takes the reader into the recording booth. The poem takes place within the recording studio and Grubbs's fictional band, The Familiar Faces, surfaces and disappears throughout the text as the poems cycle through the creative process of music making and recording. The basic unit of each piece is the page, and the book presents itself in a hybridized form, recontextualizing contemporary poetry, using the language of recording in the studio as the material for the poem. The book is one continuous poem, flowing and looping through the forms and cycles of a studio recording session. Grubbs describes the process of recording as well as the emotions, tools, and systems that undergird music making. The past arrives in the musician's headphones, and the voice mixes with creativity in a series of loops. The poem loops in and on itself, in a way reminiscent of a record or a CD, returning to the present and to the beat. Grubbs describes his influences and inspirations. The Familiar Faces, his band, recur throughout the book within the lines of each page, which are a metaphor for the studio and the music venue. The reader follows Grubbs's creative journey through double takes. The lines rise and fall with the crescendo of the studio. The book is the rehearsal space, and the music is in each new line. This book will be of interest to music scholars and students, readers of the avant-garde arts, and creative writers"-- |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Sound recordings |
General subdivision |
Production and direction |
Form subdivision |
Poetry |
|
Topical term or geographic name entry element |
Avant-garde (Music) |
653 ## - INDEX TERM--UNCONTROLLED |
Local classification |
Fellow |
|
Local classification |
Ellen Maria Gorrissen Fellow |
|
Local classification |
Class of Fall 2024 |
951 ## - EQUIVALENCE OR CROSS-REFERENCE--GEOGRAPHIC NAME/AREA NAME [OBSOLETE] [CAN/MARC only] |
Geographic name |
BO |
776 1# - ADDITIONAL PHYSICAL FORM ENTRY |
International Standard Book Number |
9781478009092 |
Qualifying information |
ebook |
|
Relationship information |
Erscheint auch als |
Note |
Online-Ausgabe |
Main entry heading |
Grubbs, David |
Title |
The Voice in the Headphones. |
Place, publisher, and date of publication |
Durham : Duke University Press, 2020 |
Physical description |
1 online resource (161 pages) |
Record control number |
(DE-627)1690811854 |
International Standard Book Number |
9781478009092 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Library of Congress Classification |
Koha item type |
single unit book |