MARC details
| 000 -LEADER |
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| fixed length control field |
04386cam a2200553 4500 |
| 001 - CONTROL NUMBER |
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| control field |
1684127769 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
DE-627 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20241017150252.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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| fixed length control field |
tu |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
191203s2020 xxu||||| 00| ||eng c |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2019053066 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780190054083 |
| Terms of availability |
hardback |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(DE-627)1684127769 |
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| System control number |
(DE-599)KXP1684127769 |
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| System control number |
(OCoLC)1196250804 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DE-627 |
| Language of cataloging |
ger |
| Transcribing agency |
DE-627 |
| Description conventions |
rda |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng |
| 044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE |
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| ISO country code |
XD-US |
| 050 #0 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML410.B4 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
780.92 |
| -- |
B |
| Assigning agency |
LOC |
| 084 ## - OTHER CLASSIFICATION NUMBER |
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| Classification number |
LP 63175 |
| Assigning agency |
DE-14/sred |
| Number source |
rvk |
| Authority record control number or standard number |
(DE-625)rvk/107231: |
|
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| Classification number |
LP 63174 |
| Assigning agency |
DE-14/sred |
| Number source |
rvk |
| Authority record control number or standard number |
(DE-625)rvk/107230: |
|
|---|
| Classification number |
24.55 |
| Number source |
bkl |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Bonds, Mark Evan |
| Dates associated with a name |
1954- |
| Relator term |
VerfasserIn |
| Authority record control number or standard number |
(DE-588)131657917 |
| -- |
(DE-627)512393494 |
| -- |
(DE-576)168438461 |
| Relationship |
aut |
| 9 (RLIN) |
331 |
| 245 10 - TITLE STATEMENT |
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| Title |
Beethoven |
| Remainder of title |
variations on a life |
| Statement of responsibility, etc. |
Mark Evan Bonds |
| 263 ## - PROJECTED PUBLICATION DATE |
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| Projected publication date |
2007 |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
New York |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2020] |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
ix, 147 Seiten |
| Other physical details |
Illustrationen |
| 336 ## - CONTENT TYPE |
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| Content type term |
Text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
ohne Hilfsmittel zu benutzen |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
Band |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
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| General note |
Includes bibliographical references and index |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
The Scowl -- The Life -- Ideals -- Deafness -- Love -- Money -- Politics -- Composing -- Early-Middle-Late -- The Music -- "Beethoven". |
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| Summary, etc. |
""Vienna, March 26, 1827, late afternoon. Having scrawled his name to a legal document with the little strength he has left, the gravely ill and nearly deaf composer is now in a coma. A bolt of lightning splits the sky. A clap of thunder follows. Beethoven opens his eyes, raises a fist toward heaven, sinks back, and dies. So legend would have it. Or at least one of the legends. Accounts of Beethoven's death vary widely, and this one dates from more than thirty years after the event. There may be a grain of truth to it, for weather records confirm the early spring thunderstorm that day, even if other details remain suspect. Separating fact from fiction is a major challenge for anyone who wants to come to grips with Beethoven and his music. Yet even without the fiction, Beethoven's life is the stuff of movies. The characters and the plot are ready-made for the screen: a talented young musician, the son of an alcoholic father, leaves his provincial home and dazzles high society in the imperial capital as a pianist and composer. But tragedy strikes in the form of deafness, and our hero, rejected by the woman he loves, withdraws into a world of his own and writes music he cannot hear. He turns his isolation into an asset and wins acclaim as his generation's greatest composer of instrumental music. Commissions from abroad pour in during the final years of his life. Tens of thousands attend his funeral. It is a compelling story and true enough in its outlines. But where does the music fit into all this? Generations of critics-including Hollywood script writers-have projected Beethoven's life onto his works, treating his music as if it were the soundtrack to the life. The temptation is understandable, for his style did indeed change markedly over the course of his career. If we know anything about his life at all, it is difficult to hear the unconventional piano sonatas and string quartets of his last decade without imagining the sense of isolation his near-total deafness must have forced on him. When we listen to these late compositions against the backdrop of those earlier works from the "heroic" period-works that, like the Fifth Symphony, move from struggle to triumph-we sense that something has changed in the person who created them. The temptation to map the works onto the life is particularly strong in biographies, which by their very nature move in a more or less straight line through time, with the music often functioning as an audible diary of sorts. But ... |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Beethoven, Ludwig van |
| Dates associated with a name |
1770-1827 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Composers |
| Geographic subdivision |
Germany |
| Form subdivision |
Biography |
|
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| Topical term or geographic name entry element |
Composers |
| Geographic subdivision |
Austria |
| Form subdivision |
Biography |
| 653 ## - INDEX TERM--UNCONTROLLED |
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| Local classification |
Fellow |
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| Local classification |
DaimlerChrysler |
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| Local classification |
Class of Fall 2002 |
| 655 #7 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Biografie |
| Authority record control number or standard number |
(DE-588)4006804-3 |
| -- |
(DE-627)104213493 |
| -- |
(DE-576)208867147 |
| Source of term |
gnd-content |
| 951 ## - EQUIVALENCE OR CROSS-REFERENCE--GEOGRAPHIC NAME/AREA NAME [OBSOLETE] [CAN/MARC only] |
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| Geographic name |
BO |
| 776 1# - ADDITIONAL PHYSICAL FORM ENTRY |
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| International Standard Book Number |
9780190054106 |
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| Relationship information |
Erscheint auch als |
| Note |
Online-Ausgabe |
| Record control number |
(DLC)978-0-19-005410-6 |
| 936 rv - OCLC/CONSER MISCELLANEOUS DATA (OCLC); PIECE USED FOR CATALOGING (pre-AACR2) (RLIN) |
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| OCLC control number(s) of parallel record(s) (OCLC); Piece used for cataloging, PUC (RLIN) |
LP 63175 |
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| OCLC control number(s) of parallel record(s) (OCLC); Piece used for cataloging, PUC (RLIN) |
LP 63174 |
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| OCLC control number(s) of parallel record(s) (OCLC); Piece used for cataloging, PUC (RLIN) |
24.55 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
single unit book |