MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03943nam a2200505 c 4500 |
| 001 - CONTROL NUMBER |
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| control field |
BV044719034 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
DE-604 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20241017150345.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
|---|
| fixed length control field |
t |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
180117s2017 xxua||| |||| 00||| eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780190851170 |
| Terms of availability |
paperback |
|
|---|
| International Standard Book Number |
9780199343638 |
| Terms of availability |
hardback |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)1032681384 |
|
|---|
| System control number |
(DE-599)BVBBV044719034 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DE-604 |
| Language of cataloging |
ger |
| Description conventions |
rda |
| 041 0# - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 044 ## - COUNTRY OF PUBLISHING/PRODUCING ENTITY CODE |
|---|
| MARC country code |
xxu |
| ISO country code |
XD-US |
| 049 ## - LOCAL HOLDINGS (OCLC) |
|---|
| Holding library |
DE-M468 |
| -- |
DE-824 |
| 050 #0 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
ML3854 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
781.1/7 |
| Edition number |
23 |
| 084 ## - OTHER CLASSIFICATION NUMBER |
|---|
| Classification number |
LR 56820 |
| Authority record control number or standard number |
(DE-625)109812:13528 |
| Number source |
rvk |
|
|---|
| Classification number |
9,2 |
| Number source |
ssgn |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Bonds, Mark Evan |
| Dates associated with a name |
1954- |
| Relator term |
Verfasser |
| Authority record control number or standard number |
(DE-588)131657917 |
| Relationship |
aut |
| 9 (RLIN) |
331 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Absolute music |
| Remainder of title |
the history of an idea |
| Statement of responsibility, etc. |
Mark Evan Bonds |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Oxford ; New York, NY [u.a.] |
| Name of producer, publisher, distributor, manufacturer |
Oxford Univ. Press |
| Date of production, publication, distribution, manufacture, or copyright notice |
2017 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
XIII, 375 Seiten |
| Other physical details |
Ill. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
Text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
ohne Hilfsmittel zu benutzen |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
Band |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Literaturverz. S. 317 - 351 |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically-an old term associated with the new music of modernists like Schoenberg and Stravinsky. |
|
|---|
| Summary, etc. |
Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music. |
| 648 #7 - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM |
|---|
| Chronological term |
Geschichte |
| Source of heading or term |
gnd |
| 9 (RLIN) |
rswk-swf |
| 650 #4 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Musik |
|
|---|
| Topical term or geographic name entry element |
Absolute music |
|
|---|
| Topical term or geographic name entry element |
Music |
| General subdivision |
Philosophy and aesthetics |
|
|---|
| Topical term or geographic name entry element |
Absolute Musik |
| Authority record control number or standard number |
(DE-588)4141115-8 |
| Source of heading or term |
gnd |
| 9 (RLIN) |
rswk-swf |
|
|---|
| Topical term or geographic name entry element |
Musikphilosophie |
| Authority record control number or standard number |
(DE-588)4123809-6 |
| Source of heading or term |
gnd |
| 9 (RLIN) |
rswk-swf |
| 653 ## - INDEX TERM--UNCONTROLLED |
|---|
| Local classification |
Fellow |
|
|---|
| Local classification |
DaimlerChrysler |
|
|---|
| Local classification |
Class of Fall 2002 |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
|---|
| Relationship information |
Erscheint auch als |
| Note |
Online-Ausgabe |
| International Standard Book Number |
978-0-19-934364-5 |
|
|---|
| Relationship information |
Erscheint auch als |
| Note |
Online-Ausgabe, PDF |
| International Standard Book Number |
978-0-19-934365-2 |
| 942 11 - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
single unit book |
| Edition |
22/bsb |
| Source of classification or shelving scheme |
Library of Congress Classification |