MARC details
000 -LEADER |
fixed length control field |
04556cam a2200577Mi 4500 |
001 - CONTROL NUMBER |
control field |
99131267419106421 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
DE-4047 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20241017152216.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
240214s2024 njua b 001 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780691260723 |
Qualifying information |
hardcover |
|
International Standard Book Number |
0691260729 |
Qualifying information |
hardcover |
|
Canceled/invalid ISBN |
9780691260846 |
Qualifying information |
electronic book |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)1420865395 |
|
System control number |
(OCoLC)on1420865395 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
YDX |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
YDX |
Modifying agency |
JCU |
-- |
OCLCO |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e-gx--- |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML1092 |
Item number |
.J33 2024 |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
786.70943 |
Edition number |
23/eng/20240828 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Jackson, Myles W., |
Relator term |
author. |
Real World Object URI |
https://id.oclc.org/worldcat/entity/E39PBJyrWWqwy44YqhFk3Jg9Xd. |
9 (RLIN) |
216 |
245 10 - TITLE STATEMENT |
Title |
Broadcasting fidelity : |
Remainder of title |
German radio and the rise of early electronic music / |
Statement of responsibility, etc. |
Myles W. Jackson. |
246 30 - VARYING FORM OF TITLE |
Title proper/short title |
German radio and the rise of early electronic music |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Princeton, New Jersey : |
Name of producer, publisher, distributor, manufacturer |
Princeton University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2024] |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xiii, 339 pages : |
Other physical details |
illustrations ; |
Dimensions |
25 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
1. Weimar radio: The great experiment -- 2. High infidelity -- 3. Analyzing distortions and creating fidelity -- 4. The RVS radio experiments -- 5. The original Trautonium -- 6. The Nazis and the Trautonium -- 7. The Trautonium after the War -- 8. Sala & Trautwein vs. the Cologne Studio for Electronic Music -- 9. Epilogue. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
A landmark history of early radio in Germany and the quest for broadcast fidelity. When we turn on a radio or stream a playlist, we can usually recognize the instrument we hear, whether it's a cello, a guitar, or an operatic voice. Such fidelity was not always true of radio. Broadcasting Fidelity shows how the problem of broadcast fidelity pushed German scientists beyond the traditional bounds of their disciplines and led to the creation of one of the most important electronic instruments of the twentieth century.In the early days of radio, acoustical distortions made it hard for even the most discerning musical ears to differentiate instruments and voices. The physicists and engineers of interwar Germany, with the assistance of leading composers and musicians, tackled this daunting technical challenge. Research led to the invention in 1930 of the trautonium, an early electronic instrument capable of imitating the timbres of numerous acoustical instruments and generating novel sounds for many musical genres. Myles Jackson charts the broader political and artistic trajectories of this instrument, tracing how it was embraced by the Nazis and subsequently used to subvert Nazi aesthetics after the war and describing how Alfred Hitchcock commissioned a later version of the trautonium to provide the sounds of birds squawking and flapping their wings in his 1963 thriller The Birds.A splendid work of scholarship by an acclaimed historian of science, Broadcasting Fidelity reveals how the interplay of science, technology, politics, and culture gave rise to new aesthetic concepts, innovative musical genres, and the modern discipline of electroacoustics. |
590 ## - LOCAL NOTE (RLIN) |
Local note |
"I was funded by a fellowship from the American Academy in Berlin [...]. [...]. I am also indebted to those who posed numerous questions and commented on various lectures that I gave that formed the early versions of this book. They include audiences at the American Academy in Berlin [...]."-- pp.XI-XII |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Trautonium |
Geographic subdivision |
Germany |
General subdivision |
History |
Chronological subdivision |
20th century. |
|
Topical term or geographic name entry element |
Trautonium |
General subdivision |
Political aspects |
Geographic subdivision |
Germany |
General subdivision |
History |
Chronological subdivision |
20th century. |
|
Topical term or geographic name entry element |
Radio broadcasting |
Geographic subdivision |
Germany |
General subdivision |
History |
Chronological subdivision |
20th century. |
|
Topical term or geographic name entry element |
Radio |
Geographic subdivision |
Germany |
General subdivision |
History |
Chronological subdivision |
20th century. |
|
Topical term or geographic name entry element |
Electronic musical instruments |
Geographic subdivision |
Germany |
General subdivision |
History |
Chronological subdivision |
20th century. |
|
Topical term or geographic name entry element |
Trautonium |
Geographic subdivision |
Allemagne |
General subdivision |
Histoire |
Chronological subdivision |
20e siècle. |
|
Topical term or geographic name entry element |
Trautonium |
General subdivision |
Aspect politique |
Geographic subdivision |
Allemagne |
General subdivision |
Histoire |
Chronological subdivision |
20e siècle. |
|
Topical term or geographic name entry element |
Radio |
Geographic subdivision |
Allemagne |
General subdivision |
Histoire |
Chronological subdivision |
20e siècle. |
|
Topical term or geographic name entry element |
Instruments de musique électroniques |
Geographic subdivision |
Allemagne |
General subdivision |
Histoire |
Chronological subdivision |
20e siècle. |
653 ## - INDEX TERM--UNCONTROLLED |
Local classification |
Fellow |
|
Local classification |
Bosch Fellow in Public Policy |
|
Local classification |
Class of Fall 2014 |
|
Local classification |
Distinguished Visitor |
|
Local classification |
Marcus Bierich Distinguished Visitor |
|
Local classification |
Class of Spring 2023 |
982 ## - EQUIVALENCE OR CROSS-REFERENCE-SERIES STATEMENT--CONFERENCE OR MEETING NAME/TITLE [LOCAL, CANADA] |
Number (BK CF MP MU SE VM MX) [OBSOLETE] |
FY21 |
Location of meeting |
Gen |
Number of part/section/meeting |
2021 |
Name of meeting following jurisdiction name entry element |
32101112766983 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
Library of Congress Classification |
Koha item type |
single unit book |
980 ## - EQUIVALENCE OR CROSS-REFERENCE-SERIES STATEMENT--PERSONAL NAME/TITLE [LOCAL, CANADA] |
Personal name |
20241009 |
Date of a work |
5322960 |
Medium |
A0401mon |
Attribution qualifier |
47.76 |
Number of part/section of a work |
7529213 |