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Global sixties in sound and vision media, counterculture, revolt ed. by Timothy Scott Brown ...

Contributor(s): Material type: TextTextLanguage: English Publisher: New York, NY [u.a.] Palgrave Macmillan 2014Edition: 1. edDescription: VIII, 296 S. Ill., KtContent type:
  • Text
Media type:
  • ohne Hilfsmittel zu benutzen
Carrier type:
  • Band
ISBN:
  • 1137375221
  • 9781137375223
  • 9781349477265
Subject(s): Genre/Form: Additional physical formats: Online-Ausg.: The global sixties in sound and visionDDC classification:
  • 306.4/00904 23
LOC classification:
  • HM647
Other classification:
  • 3,5
  • AP 19000
  • LS 48070
Online resources: Other related works: Rezensiert in: Häberlen, Joachim C., 1980 - Rezension von Timothy Scott Brown: Andrew E. Lison The Global Sixties in Sound and Vision. Media
Contents:
Red noise : pop and politics in post-1968 France Jonathyne BriggsMapping tropicalia / Christopher Dunn
Magical mystery tours : Godard and Antonioni in America David Fresko
Opening and activating a depth dimension : the politics of privacy in the new American cinema Josh Guilford
Utopia and dystopia in the science fiction film circa 1968 Kathrin Fahlenbrach
"Art is love is god" : language and sound in Wallace Berman's Aleph, 1956-66 Chelsea Behle Fralick
Guitar smashing Wolfgang Kraushaar
"The revolution is over, and we have won!" : Alfred Hilsberg, West German punk and the sixties Jeff Hayton
The sun and moon have come together : fourth way, liberatory aesthetics and countercultural spirituality Kevin Fellezs
"A weapon in our struggle for liberation" : black arts, black power, and the 1969 pan-African cultural festival Samir Meghelli
The revolution will not be televised, but it will be recorded : soul, funk, and the black urban experience, 1968-1979 Francesca D'Amico
Jukebox modernism : the transatlantic sight and sound of Peter Blake's Got a girl (1960-61) Melissa Mednicov
Uninteresting pictures : art and the anti-humanism of 1968 Joshua Shannon
And the future of information Andrew Lison.
Summary: Red noise : pop and politics in post-1968 France / Jonathyne Briggs -- Mapping tropicalia / Christopher Dunn -- Magical mystery tours : Godard and Antonioni in America / David Fresko -- Opening and activating a depth dimension : the politics of privacy in the new American cinema / Josh Guilford -- Utopia and dystopia in the science fiction film circa 1968 / Kathrin Fahlenbrach -- "Art is love is god" : language and sound in Wallace Berman's Aleph, 1956-66 / Chelsea Behle Fralick -- Guitar smashing / Wolfgang Kraushaar -- "The revolution is over, and we have won!" : Alfred Hilsberg, West German punk and the sixties / Jeff Hayton -- The sun and moon have come together : fourth way, liberatory aesthetics and countercultural spirituality / Kevin Fellezs -- "A weapon in our struggle for liberation" : black arts, black power, and the 1969 pan-African cultural festival / Samir Meghelli -- The revolution will not be televised, but it will be recorded : soul, funk, and the black urban experience, 1968-1979 / Francesca D'Amico -- Jukebox modernism : the transatlantic sight and sound of Peter Blake's Got a girl (1960-61) / Melissa Mednicov -- Uninteresting pictures : art and the anti-humanism of 1968 / Joshua Shannon -- And the future of information / Andrew Lison
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Holdings
Item type Current library Collection Call number Status Date due Barcode
single unit book single unit book HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks F (Affiliated) F:HM647.G56 2014 (Browse shelf(Opens below)) Available 2023-1152

Red noise : pop and politics in post-1968 France Jonathyne BriggsMapping tropicalia / Christopher Dunn

Magical mystery tours : Godard and Antonioni in America David Fresko

Opening and activating a depth dimension : the politics of privacy in the new American cinema Josh Guilford

Utopia and dystopia in the science fiction film circa 1968 Kathrin Fahlenbrach

"Art is love is god" : language and sound in Wallace Berman's Aleph, 1956-66 Chelsea Behle Fralick

Guitar smashing Wolfgang Kraushaar

"The revolution is over, and we have won!" : Alfred Hilsberg, West German punk and the sixties Jeff Hayton

The sun and moon have come together : fourth way, liberatory aesthetics and countercultural spirituality Kevin Fellezs

"A weapon in our struggle for liberation" : black arts, black power, and the 1969 pan-African cultural festival Samir Meghelli

The revolution will not be televised, but it will be recorded : soul, funk, and the black urban experience, 1968-1979 Francesca D'Amico

Jukebox modernism : the transatlantic sight and sound of Peter Blake's Got a girl (1960-61) Melissa Mednicov

Uninteresting pictures : art and the anti-humanism of 1968 Joshua Shannon

And the future of information Andrew Lison.

Red noise : pop and politics in post-1968 France / Jonathyne Briggs -- Mapping tropicalia / Christopher Dunn -- Magical mystery tours : Godard and Antonioni in America / David Fresko -- Opening and activating a depth dimension : the politics of privacy in the new American cinema / Josh Guilford -- Utopia and dystopia in the science fiction film circa 1968 / Kathrin Fahlenbrach -- "Art is love is god" : language and sound in Wallace Berman's Aleph, 1956-66 / Chelsea Behle Fralick -- Guitar smashing / Wolfgang Kraushaar -- "The revolution is over, and we have won!" : Alfred Hilsberg, West German punk and the sixties / Jeff Hayton -- The sun and moon have come together : fourth way, liberatory aesthetics and countercultural spirituality / Kevin Fellezs -- "A weapon in our struggle for liberation" : black arts, black power, and the 1969 pan-African cultural festival / Samir Meghelli -- The revolution will not be televised, but it will be recorded : soul, funk, and the black urban experience, 1968-1979 / Francesca D'Amico -- Jukebox modernism : the transatlantic sight and sound of Peter Blake's Got a girl (1960-61) / Melissa Mednicov -- Uninteresting pictures : art and the anti-humanism of 1968 / Joshua Shannon -- And the future of information / Andrew Lison

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