Such freedom, if only musical unofficial Soviet music during the Thaw Peter J. Schmelz
Material type: TextLanguage: English Publisher: Oxford [u.a.] Oxford Univ. Press 2009Description: X, 392 S. Ill., Notenbeisp. 25 cmContent type:- Text
- ohne Hilfsmittel zu benutzen
- Band
- 0195341937
- 9780195341935
- 780.947/0904 22
- ML3917.R8
- 9,2
- LQ 86007
- 24.50
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
single unit book | HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks | F (Affiliated) | F:ML3917.R8 S36 2009 (Browse shelf(Opens below)) | Available | 2023-1969 |
Browsing HAC Library - Holdings of the American Academy in Berlin shelves, Shelving location: HAC – 1st floor – Library Room – Open Stacks, Collection: F (Affiliated) Close shelf browser (Hides shelf browser)
F:PS3604.E464 L48 2008 Let's not call it consequence | F:PL223 .S44 2008 Tales of crossed destinies the modern Turkish novel in a comparative context | F:PN1356 .W29 2008 Fables of the self studies in lyric poetry | F:ML3917.R8 S36 2009 Such freedom, if only musical unofficial Soviet music during the Thaw | F:B2779.L6613 1998 Kant and the capacity to judge sensibility and discursivity in the transcendental analytic of the "Critique of pure reason" | F:DD901.N3326 S22 1997 Property, production, and family in Neckarhausen, 1700-1870 | F:HQ281 .S677 2008 Menschenhandel Sklaverei im 21. Jahrhundert |
Includes bibliographical references (p. [343] - 374) and index
The dam bursts : the first and second conservatories -- Andrey Volkonsky and the beginnings of unofficial music -- From young to unofficial : Denisov's Sun of the Incas -- Unofficial venues, performers, and audiences -- From abstraction to mimesis, from control to freedom : Pärt, Schnittke, Silvestrov, and Gubaidulina -- Denisov's Laments, Volkonsky's Rejoinder -- Conclusion : the farewell symphony -- Epilogue : reflections on memory and nostalgia.
The dam bursts : the first and second conservatories -- Andrey Volkonsky and the beginnings of unofficial music -- From young to unofficial : Denisov's Sun of the Incas -- Unofficial venues, performers, and audiences -- From abstraction to mimesis, from control to freedom : Pärt, Schnittke, Silvestrov, and Gubaidulina -- Denisov's Laments, Volkonsky's Rejoinder -- Conclusion : the farewell symphony -- Epilogue : reflections on memory and nostalgia
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