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Ghostly matters haunting and the sociological imagination Avery F. Gordon ; with a new introduction foreword by Janice Radway

By: Contributor(s): Material type: TextTextLanguage: English Publisher: Minneapolis London University of Minnesota Press 2008Copyright date: © 2008Edition: New University of Minnesota Press editionDescription: xx, 252 Seiten IllustrationenContent type:
  • Text
Media type:
  • ohne Hilfsmittel zu benutzen
Carrier type:
  • Band
ISBN:
  • 9780816654468
  • 0816654468
Subject(s): Additional physical formats: No title; Erscheint auch als: Ghostly matters; Erscheint auch als: Ghostly MattersDDC classification:
  • 301 22
  • 306.42
LOC classification:
  • HM449
  • HM73.G598 1997
Other classification:
  • BE 2240
  • LC 33000
  • MR 3100
  • MS 1290
  • BE 2395
  • 71.62
Online resources:
Contents:
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Holdings
Item type Current library Collection Call number Status Date due Barcode
single unit book single unit book HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks F (Affiliated) F:HM449 .G67 2008 (Browse shelf(Opens below)) Available 2023-2050
Browsing HAC Library - Holdings of the American Academy in Berlin shelves, Shelving location: HAC – 1st floor – Library Room – Open Stacks, Collection: F (Affiliated) Close shelf browser (Hides shelf browser)
F:DD232 .W48 2008 Wettlauf um die Moderne die USA und Deutschland 1890 bis heute F:PS3556.E489 U56 2008 Unmentionables poems F:HC244.M3445 2008 Cosmopolitan anxieties Turkish challenges to citizenship and belonging in Germany F:HM449 .G67 2008 Ghostly matters haunting and the sociological imagination F:D863 .K53 2008b Der Kampf um die Zweite Welt Imperien und Einfluss in der neuen Weltordnung F:ML3776 .J42 2008 Jewish musical modernism, old and new F:ML423.B7 C35 2008 Brecht at the opera

Literaturverzeichnis: Seite 225-242. - Index

Hier auch später erschienene, unveränderte Nachdrucke

Her shape and his hand -- Distractions -- The other door, its floods of tears with consolation enclosed -- Not only the footprints but the water too and what is down there -- There are crossroads

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