Celluloid revolt German screen cultures and the long 1968 edited by Christina Gerhardt and Marco Abel
Material type: TextLanguage: English Series: Screen cultures: German film and the visualPublisher: Rochester, New York Camden House [2019]Description: vi, 330 Seiten IllustrationenContent type:- Text
- ohne Hilfsmittel zu benutzen
- Band
- 1571139958
- 9781571139955
- 791.430943
- 791
- AP 59414
- AP 44910
- 24.32
- 24.31
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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single unit book | HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks | F (Affiliated) | F:PN1993.5.G3 C43 2019 (Browse shelf(Opens below)) | Available | 2023-5939 |
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F:PS3505.R883 Z95 1976 Black sun the brief transit and violent eclipse of Harry Crosby | F:DS793.K7 W3 1966 Strangers at the gate social disorder in South China, 1839 - 1861 | F:P306 .V36 2019 Contra instrumentalism a translation polemic | F:PN1993.5.G3 C43 2019 Celluloid revolt German screen cultures and the long 1968 | F:DD247.V66 A3 2019 Von Berlin nach New York ein Leben in zwei Welten | F:PS3607.Y37 H66 2016 Homegoing | F:HN460.R3B77 2016 Weimar radicals Nazis and communists between authenticity and performance |
Literaturangaben
Zusammenfassung: "The epoch-making revolutionary period universally known in Germany as '68 can be argued to have predated that year and to have extended well into the 1970s. It continues to affect German society and culture to this day. Yet while scholars have written extensively about 1968 and the cinema of other countries, relatively little sustained scholarly attention has thus far been paid to 1968 and West German, East German, and Austrian cinemas. Now, five decades later, Celluloid Revolt sets out to redress that situation, generating new insights into what constituted German cinema around 1968 and beyond. Contributors engage a range of cinemas, spanning experimental and avant-garde cinema, installations and exhibits; short films, animated films, and crime films; collectively produced cinemas, feminist films, and Arbeiterfilme (workers' films); as well as their relationship to cinemas of other countries, such as French cinéma vérité and US direct cinema"--(Provided by publisher.)
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