Hans Arnhold Center Library

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Brecht, Turkish theater, and Turkish-German literature : reception, adaptation, and innovation after 1960 / Ela E. Gezen.

By: Material type: TextTextSeries: Studies in German literature, linguistics, and culturePublisher: Rochester, New York : Camden House, 2018Copyright date: ©2018Description: xiii, 159 pages : illustrations ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781640140240 (hardcover : alk. paper)
  • 1640140247 (hardcover : alk. paper)
Subject(s): DDC classification:
  • 832/.91409 23
LOC classification:
  • PT668 .G49 2018
Contents:
Introduction -- Intersections of politics and aesthetics: Bertolt Brecht in the Turkish context -- Didactic realism: Aras Ören and working-class culture -- Staged pasts: Emine Sevgi Özdamar's dramatic aesthetic -- Conclusion.
List(s) this item appears in: New arrivals 2023
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Holdings
Item type Current library Collection Call number Status Notes Date due Barcode
single unit book single unit book HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks F (Affiliated) F:PT668 .G49 2018 (Browse shelf(Opens below)) Available Hardcover 2023-7382
Browsing HAC Library - Holdings of the American Academy in Berlin shelves, Shelving location: HAC – 1st floor – Library Room – Open Stacks, Collection: F (Affiliated) Close shelf browser (Hides shelf browser)
F:PS3569 .T89 B9 1995 By vineyard light : / F:Q11 .N5 vol. 740 RA648.6 Disease in evolution : global changes and emergence of infectious diseases / F:RM267 .W55 2019 Antibiotics : what everyone needs to know / F:PT668 .G49 2018 Brecht, Turkish theater, and Turkish-German literature : reception, adaptation, and innovation after 1960 / F:PS3607.R6344 A6 2018b Florida / F:PS3607.R6344 F38 2015 Fates and furies / F:PS3607.R6344 M66 2008 The monsters of Templeton [a novel]

Includes bibliographical references (pages [139]-154) and index.

Introduction -- Intersections of politics and aesthetics: Bertolt Brecht in the Turkish context -- Didactic realism: Aras Ören and working-class culture -- Staged pasts: Emine Sevgi Özdamar's dramatic aesthetic -- Conclusion.

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