TY  - BOOK
AU  - Marshall,Kerry James
AU  - Storr,Robert
AU  - Walker,Hamza
ED  - Gallery David Zwirner
TI  - Kerry James Marshall: look see
SN  - 1941701086
AV  - N6537.M379 
U1  - 700.411 
PY  - 2015///
CY  - New York
PB  - David Zwirner Books
KW  - Marshall, Kerry James
KW  - African American artists
KW  - 21st century
KW  - Exhibitions
KW  - Artists, Black
KW  - Painting, American
KW  - African Americans in art
KW  - African American art
KW  - Class of Spring 2017
KW  - Max Beckmann Distinguished Visitor
KW  - Distinguished Visitor
KW  - Ausstellungskatalog
KW  - Gallery David Zwirner
KW  - 11.10.2014-22.11.2014
KW  - London
KW  - gnd-content
KW  - Bildband
N1  - Impressum: "This catalogue is published on the occasion of the exhibition "Kerry James Marshall. Look See" David Zwirner, London October 11-November 22, 2014"; Chromophilia and the interaction of color; Robert Storr; Paintings -- Works on paper -- Kerry James Marshall in conversation with Angela Choon -- Selected exhibitions, awards & collections
N2  - "With a career spanning almost three decades, Kerry James Marshall is well known for his complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land- and seascapes, all of which synthesize different traditions and genres while seeking to counter stereotypical representations of black people in society. Working across various mediums, from paintings and comic-style drawings to sculptural installations, photographs, and videos, the artist conflates actual and imagined events from African-American history, integrating a range of stylistic influences to address the limited historiography of black art. Produced on the occasion of Marshall's first exhibition at David Zwirner in London in 2014 and designed by JNL Design in Chicago, Look See features beautiful reproductions of every painting on view in the show as well as numerous details, preparatory drawings, installation photographs, new scholarship by Robert Storr and a conversation between the artist and Angela Choon, a Senior Partner at the gallery. As suggested by the show's title, these portraits use the etymological differences between looking and seeing as their point of departure, featuring subjects whose dissociated stares seem as defiant as they are mystifying. In keeping with his signature approach, Marshall has painted his figures in strikingly opaque black pigments, both fashioning and abstracting their presences in order to assimilate the limitations and contradictions of style, subject, and chronology inherent in art-historical narratives written from a white, Western perspective. Taken all together, the range of materials included in Look See constitutes a vibrant and comprehensive portrait of Marshall's original and ever-evolving practice."--Publisher description
ER  -