Screen Dynamics mapping the borders of cinema
ed. by Gertrud Koch, Volker Pantenburg, Simon Rothöhler
- 181 S. Ill. 200 mm x 170 mm, 650 g
- Filmmuseum-Synema-Publikationen 15 .
- Österreichisches Filmmuseum Filmmuseum-Synema-Publikationen 15 .
The cinema spectator : a special memory Raymond Bellour Max Ophuls and instant messaging : reframing cinema and publicness Miriam Hansen End or beginning : the new cinephelia Jonathan Rosenbaum Moving away from the index : cinema and the impression of reality Tom Gunning Lost in space and found in a fold : cinema and the irony of media Vinzenz Hediger 1970 and beyond : experimental cinema and art spaces Volker Pantenburg Interactive cinema and the uncinematic Victor Burgin Permanent metalepsis : pushing the boundaries of narrative space Thomas Morsch What will have been film, what theater? On the presence of moving images in theater Gertrud Koch Where film drops off : Michael Mann's high-definition images Simon Rothöhler Cinema on the Web and newer psychology Ute Holl Movable images on portable devices Ekkehard Knörer.
From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television