TY  - BOOK
AU  - Glebova,Aglaya K.
AU  - Rodchenko,Aleksandr Mikhaĭlovich
TI  - Aleksandr Rodchenko: photography in the time of Stalin 
SN  - 9780300254037
AV  - TR647.R63 G54 2022
PY  - 2022///]
CY  - New Haven
PB  - Yale University Press
KW  - Rodchenko, Aleksandr Mikhaĭlovich,
KW  - Photography
KW  - Soviet Union
KW  - History
KW  - Art
KW  - Political aspects
KW  - fast
KW  - Fellow
KW  - Axel Springer Fellow
KW  - Class of Fall 2017
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 221-231) and index; Introduction. Rodchenko's contemporaneity -- Perspectives on the collective -- The socialist face -- Still nature -- Engineered chaos -- The photographer's hand
N2  - "Through the lens of Aleksandr Rodchenko's photography, a new and provocative understanding emerges of the troubled relationship between technology, modernism, and state power in Stalin's Soviet UnionTracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko (1891-1956), a versatile Russian artist and one of Constructivism's founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language.In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko's photography questioned his own modernist commitments. At the heart of this book is Rodchenko's infamous 1933 photo-essay on the White Sea-Baltic Canal, site of one of the first gulags. Glebova's careful reading of Rodchenko's photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work he undertook with Varvara Stepanova, Rodchenko's partner in art and life"--Provided by publisher
ER  -