Screen Dynamics mapping the borders of cinema ed. by Gertrud Koch, Volker Pantenburg, Simon Rothöhler
Material type: TextLanguage: English Series: Österreichisches Filmmuseum Filmmuseum-Synema-Publikationen ; 15Publisher: Wien Österreichisches Filmmuseum [u.a.] 2012Publisher: Wien SYNEMA Gesellschaft für Film und Medien 2012Description: 181 S. Ill. 200 mm x 170 mm, 650 gContent type:- Text
- ohne Hilfsmittel zu benutzen
- Band
- 9783901644399
- 791.4309 23
- PN1993.5.A1
- AP 41800
- 24.31
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
single unit book | HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks | R (Reference collection) | R:PN1993.5.A1 S45 2012 (Browse shelf(Opens below)) | Available | 2023-1391 |
The cinema spectator : a special memory Raymond Bellour
Max Ophuls and instant messaging : reframing cinema and publicness Miriam Hansen
End or beginning : the new cinephelia Jonathan Rosenbaum
Moving away from the index : cinema and the impression of reality Tom Gunning
Lost in space and found in a fold : cinema and the irony of media Vinzenz Hediger
1970 and beyond : experimental cinema and art spaces Volker Pantenburg
Interactive cinema and the uncinematic Victor Burgin
Permanent metalepsis : pushing the boundaries of narrative space Thomas Morsch
What will have been film, what theater? On the presence of moving images in theater Gertrud Koch
Where film drops off : Michael Mann's high-definition images Simon Rothöhler
Cinema on the Web and newer psychology Ute Holl
Movable images on portable devices Ekkehard Knörer.
From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television
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