Hans Arnhold Center Library

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Uncomputable play and politics in the long digital age Alexander R. Galloway

By: Material type: TextTextLanguage: English Publisher: London New York Verso 2021Description: xv, 263 Seiten Illustrationen 21 cmContent type:
  • Text
Media type:
  • ohne Hilfsmittel zu benutzen
Carrier type:
  • Band
ISBN:
  • 9781839763984
  • 1839763981
Subject(s): Additional physical formats: No title; No title; Erscheint auch als: No titleDDC classification:
  • 004.09
LOC classification:
  • QA76.17
Other classification:
  • CC 8700
  • 54.08
  • 54.01
  • 08.45
Summary: Cover Page -- Halftitle Page -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Illustrations -- A Letter from Paris -- Introduction -- Part I: Photography -- 1. Petrified Photography -- 2. Dimensions Without Depth -- 3. The Parallel Image -- 4. Photographic Modeling -- 5. Our Best Machines Are Made of Sunshine -- Part II: Weaving -- 6. Spider Work -- 7. The Crumb Machine -- 8. Regular Irregularity -- 9. Algebraic Weaving -- 10. Webs Rewoven -- Part III: The Digital -- 11. From One to Two -- 12. The Cybernetic Hypothesis -- 13. Latticework -- 14. A Regular Discrete FrameworkSummary: Narrating some lesser known episodes from the deep history of digital machines, Alexander R. Galloway explains the technology that drives the world today, and the fascinating people who brought these machines to life. With an eye to both the computable and the uncomputable, Galloway shows how computation emerges or fails to emerge, how the digital thrives but also atrophies, how networks interconnect while also fray and fall apart. By re-building obsolete technology using today's software, the past comes to light in new ways, from intricate algebraic patterns woven on a hand loom, to striking artificial-life simulations, to war games and back boxes. A description of the past, this book is also an assessment of all that remains uncomputable as we continue to live in the aftermath of the long digital age
List(s) this item appears in: Alumni books 2024 | New arrivals 2024 | Institutional Bibliography (titles written at the American Academy in Berlin)
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Holdings
Item type Current library Collection Call number Status Notes Date due Barcode
single unit book single unit book HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks F (Affiliated) F:QA76.17 .G35 2021 (Browse shelf(Opens below)) Available Hardcover 2024-0024

Includes bibliographical references and index

Cover Page -- Halftitle Page -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Illustrations -- A Letter from Paris -- Introduction -- Part I: Photography -- 1. Petrified Photography -- 2. Dimensions Without Depth -- 3. The Parallel Image -- 4. Photographic Modeling -- 5. Our Best Machines Are Made of Sunshine -- Part II: Weaving -- 6. Spider Work -- 7. The Crumb Machine -- 8. Regular Irregularity -- 9. Algebraic Weaving -- 10. Webs Rewoven -- Part III: The Digital -- 11. From One to Two -- 12. The Cybernetic Hypothesis -- 13. Latticework -- 14. A Regular Discrete Framework

Narrating some lesser known episodes from the deep history of digital machines, Alexander R. Galloway explains the technology that drives the world today, and the fascinating people who brought these machines to life. With an eye to both the computable and the uncomputable, Galloway shows how computation emerges or fails to emerge, how the digital thrives but also atrophies, how networks interconnect while also fray and fall apart. By re-building obsolete technology using today's software, the past comes to light in new ways, from intricate algebraic patterns woven on a hand loom, to striking artificial-life simulations, to war games and back boxes. A description of the past, this book is also an assessment of all that remains uncomputable as we continue to live in the aftermath of the long digital age

"The writing and editing of the book were facilitated by fellowships at the American Academy in Berlin, Germany [...]." -- Page 259

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Background picture: by Annie Spratt  on Unsplash

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