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Siegfried Kracauer's American writings essays on film and popular culture Siegfried Kracauer ; edited by Johannes Von Moltke and Kristy Rawson ; with an afterword by Martin Jay

Contributor(s): Material type: TextTextLanguage: English Original language: German Series: Weimar and now ; 45Publisher: Berkeley Los Angeles London University of California Press [2012]Copyright date: © 2012Description: xii, 290 Seiten Illustrationen 24 cmContent type:
  • Text
Media type:
  • ohne Hilfsmittel zu benutzen
Carrier type:
  • Band
ISBN:
  • 0520271823
  • 0520271831
  • 9780520271821
  • 9780520271838
Other title:
  • Ansetzungssachtitel American writings
Subject(s): Genre/Form: Additional physical formats: No title; No titleDDC classification:
  • 791.43 23
LOC classification:
  • PN1995
Other classification:
  • MQ 3433
  • AP 41850
  • 24.30
Contents:
Between Hollywood and Europe: a cultural critic in New York. Why France liked our films (1942) ; Hollywood's terror films (1946) ; Jean Vigo (1947) ; The revolt against rationality (1947) ; Jewish culture (1947) ; Filming the subconscious (1948) ; Psychiatry for everything and everybody (1948) ; Those movies with a message (1948) ; National types as Hollywood presents them (1949) ; The mirror up to nature (1949) ; Preston Sturges, or laughter betrayed (1950) ; Art today (1961) ; About the state of the humanities ; A statement on the humanistic approach ; Talk with Teddie (1960) ; A critic at large I: film reviews. An American experiment (1941) ; Dumbo (1941) ; Film notes from Hollywood (1941) ; A few American films (1941) ; William Wyler's new Bette Davis film (1941) ; Flaherty, the land (1942) ; For whom the bell tolls (1943) ; Pais? (1948) ; The decent German (1949) ; The eternal Jew (1956) ; A few notes on The connection (1961) ; A critic at large II: book reviews. In Eisenstein's workshop (1943) ; The Russian director (1949) ; The movie colony (1942) ; A lady of valor (1947) ; The Teutonic mind (1948) ; Consciousness, free and spontaneous (1948) ; Indologian holiday (1948) ; Portrait in film (1948) ; Total teaching ; Pictorial deluge (1950) ; Movie mirror (1950) ; Reflexion faite (1952) ; Toward a theory of film. Stage vs. screen acting (1950) ; The photographic approach (1951) ; Silent film comedy (1951) ; The found story and the episode (1956) ; Letter to film 56 (1956) ; Afterword: Kracauer, the magical nominalist Martin Jay.
Summary: Between Hollywood and Europe: a cultural critic in New York. Why France liked our films (1942) -- Hollywood's terror films (1946) -- Jean Vigo (1947) -- The revolt against rationality (1947) -- Jewish culture (1947) -- Filming the subconscious (1948) -- Psychiatry for everything and everybody (1948) -- Those movies with a message (1948) -- National types as Hollywood presents them (1949) -- The mirror up to nature (1949) -- Preston Sturges, or laughter betrayed (1950) -- Art today (1961) -- About the state of the humanities -- A statement on the humanistic approach -- Talk with Teddie (1960) -- A critic at large I: film reviews. An American experiment (1941) -- Dumbo (1941) -- Film notes from Hollywood (1941) -- A few American films (1941) -- William Wyler's new Bette Davis film (1941) -- Flaherty, the land (1942) -- For whom the bell tolls (1943) -- Pais? (1948) -- The decent German (1949) -- The eternal Jew (1956) -- A few notes on The connection (1961) -- A critic at large II: book reviews. In Eisenstein's workshop (1943) -- The Russian director (1949) -- The movie colony (1942) -- A lady of valor (1947) -- The Teutonic mind (1948) -- Consciousness, free and spontaneous (1948) -- Indologian holiday (1948) -- Portrait in film (1948) -- Total teaching -- Pictorial deluge (1950) -- Movie mirror (1950) -- Reflexion faite (1952) -- Toward a theory of film. Stage vs. screen acting (1950) -- The photographic approach (1951) -- Silent film comedy (1951) -- The found story and the episode (1956) -- Letter to film 56 (1956) -- Afterword: Kracauer, the magical nominalist / Martin Jay
List(s) this item appears in: Available publications of the current fellows and DVs | New arrivals 2024
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Holdings
Item type Current library Collection Call number Status Notes Date due Barcode
single unit book single unit book HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks F (Affiliated) F:PN1995 .K6955 2012 (Browse shelf(Opens below)) Available Hardcover 2024-0060

Includes bibliographical references and index

Between Hollywood and Europe: a cultural critic in New York. Why France liked our films (1942) ; Hollywood's terror films (1946) ; Jean Vigo (1947) ; The revolt against rationality (1947) ; Jewish culture (1947) ; Filming the subconscious (1948) ; Psychiatry for everything and everybody (1948) ; Those movies with a message (1948) ; National types as Hollywood presents them (1949) ; The mirror up to nature (1949) ; Preston Sturges, or laughter betrayed (1950) ; Art today (1961) ; About the state of the humanities ; A statement on the humanistic approach ; Talk with Teddie (1960) ; A critic at large I: film reviews. An American experiment (1941) ; Dumbo (1941) ; Film notes from Hollywood (1941) ; A few American films (1941) ; William Wyler's new Bette Davis film (1941) ; Flaherty, the land (1942) ; For whom the bell tolls (1943) ; Pais? (1948) ; The decent German (1949) ; The eternal Jew (1956) ; A few notes on The connection (1961) ; A critic at large II: book reviews. In Eisenstein's workshop (1943) ; The Russian director (1949) ; The movie colony (1942) ; A lady of valor (1947) ; The Teutonic mind (1948) ; Consciousness, free and spontaneous (1948) ; Indologian holiday (1948) ; Portrait in film (1948) ; Total teaching ; Pictorial deluge (1950) ; Movie mirror (1950) ; Reflexion faite (1952) ; Toward a theory of film. Stage vs. screen acting (1950) ; The photographic approach (1951) ; Silent film comedy (1951) ; The found story and the episode (1956) ; Letter to film 56 (1956) ; Afterword: Kracauer, the magical nominalist Martin Jay.

Between Hollywood and Europe: a cultural critic in New York. Why France liked our films (1942) -- Hollywood's terror films (1946) -- Jean Vigo (1947) -- The revolt against rationality (1947) -- Jewish culture (1947) -- Filming the subconscious (1948) -- Psychiatry for everything and everybody (1948) -- Those movies with a message (1948) -- National types as Hollywood presents them (1949) -- The mirror up to nature (1949) -- Preston Sturges, or laughter betrayed (1950) -- Art today (1961) -- About the state of the humanities -- A statement on the humanistic approach -- Talk with Teddie (1960) -- A critic at large I: film reviews. An American experiment (1941) -- Dumbo (1941) -- Film notes from Hollywood (1941) -- A few American films (1941) -- William Wyler's new Bette Davis film (1941) -- Flaherty, the land (1942) -- For whom the bell tolls (1943) -- Pais? (1948) -- The decent German (1949) -- The eternal Jew (1956) -- A few notes on The connection (1961) -- A critic at large II: book reviews. In Eisenstein's workshop (1943) -- The Russian director (1949) -- The movie colony (1942) -- A lady of valor (1947) -- The Teutonic mind (1948) -- Consciousness, free and spontaneous (1948) -- Indologian holiday (1948) -- Portrait in film (1948) -- Total teaching -- Pictorial deluge (1950) -- Movie mirror (1950) -- Reflexion faite (1952) -- Toward a theory of film. Stage vs. screen acting (1950) -- The photographic approach (1951) -- Silent film comedy (1951) -- The found story and the episode (1956) -- Letter to film 56 (1956) -- Afterword: Kracauer, the magical nominalist / Martin Jay

In English with some essays translated from German

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