Self-portrait in black and white unlearning race Thomas Chatterton Williams
Material type: TextLanguage: English Publisher: New York W.W. Norton & Company [2019]Copyright date: © 2019Edition: First editionDescription: 174 SeitenContent type:- Text
- ohne Hilfsmittel zu benutzen
- Band
- 9780393608861
- Williams, Thomas Chatterton 1981-
- Racially mixed people -- United States -- Biography
- Racially mixed people -- Race identity -- United States
- African Americans -- Race identity
- Whites -- Race identity -- United States
- United States -- Race relations
- Class of Fall 2017
- Holtzbrinck Fellow
- Fellow
- Written at the Academy
- 305.800973
- E185.97.W7345
- MS 3300
- LB 48000
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
single unit book | HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks | F (Affiliated) | F:E185.97.W7345 A3 2019 (Browse shelf(Opens below)) | Available | 2023-4606 |
Inhaltsverzeichnis: The view from near and far -- Marrying out -- Self-portrait of an ex-black man -- Epilogue: The shape of things to come.
"A meditation on race and identity from one of our most provocative cultural critics. A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family's multigenerational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a 'black' father from the segregated South and a 'white' mother from the West, spent his whole life believing the dictum that a single drop of 'black blood' makes a person black. This was so fundamental to his self-conception that he'd never rigorously reflected on its foundations -- but the shock of his experience as the black father of two extremely white-looking children led him to question these long-held convictions. 'It is not that I have come to believe that I am no longer black or that my daughter is white,' Williams writes. 'It is that these categories cannot adequately capture either of us.' Beautifully written and bound to upset received opinions on race, Self-Portrait in Black and White is an urgent work for our time"--
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