000 | 05704cam a2200673 4500 | ||
---|---|---|---|
001 | 839087802 | ||
003 | DE-627 | ||
005 | 20230208141947.0 | ||
007 | tu | ||
008 | 151110s2016 xxu||||| 00| ||eng c | ||
010 | _a 2015036361 | ||
020 |
_a9780823270477 _c : paper _9978-0-8232-7047-7 |
||
020 |
_a9780823270460 _c : hardback _9978-0-8232-7046-0 |
||
035 | _a(DE-627)839087802 | ||
035 | _a(DE-599)GBV839087802 | ||
035 | _a(OCoLC)951504914 | ||
040 |
_aDE-627 _bger _cDE-627 _erda |
||
041 | _aeng | ||
044 | _cXD-US | ||
050 | 0 | _aGR72 | |
082 | 0 |
_a808.5/43 _qLOC _223 |
|
084 |
_aLB 29000 _qBVB _2rvk _0(DE-625)rvk/90525:772 |
||
084 |
_aLC 60000 _qBVB _2rvk _0(DE-625)rvk/90667:772 |
||
084 |
_a73.63 _2bkl |
||
100 | 1 |
_aSaussy, Haun _d1960- _eVerfasserIn _0(DE-588)132292963 _0(DE-627)520410564 _0(DE-576)171764005 _4aut |
|
245 | 1 | 4 |
_aThe ethnography of rhythm _borality and its technologies _cHaun Saussy |
250 | _aFirst edition | ||
264 | 1 |
_aNew York _bFordham University Press _c2016 |
|
300 |
_axv, 251 Seiten _bIllustrationen _c24 cm |
||
336 |
_aText _btxt _2rdacontent |
||
337 |
_aohne Hilfsmittel zu benutzen _bn _2rdamedia |
||
338 |
_aBand _bnc _2rdacarrier |
||
490 | 0 | _aVerbal arts | |
500 | _aIncludes bibliographical references and index | ||
505 | 8 | 0 | _aMachine generated contents note:Preface -- Introduction: Weighing Hearsay -- 1. Poetry Without Poems or Poets -- "Two or Three Hundred Rhythmic Formulae -- Festivals of Rhythm -- The Oral Style -- Formula as System -- Langue, Parole, and Constraint -- 2. Writing as One Form of Notation -- The Epic Cyborg -- "Word for Word" -- Stitches in Time -- 3. Autography -- The Inscribing Ear -- "Speech is a Movement" -- The Patois of Parnassus -- A Difference of Fifteen Cycles -- 4. The Human Gramophone -- "Errores Modernistarum" -- The Gospel of Movement -- A Bone Gallery -- "Four Obscure Jews" -- Gallo-Galilean Civilization -- 5. Embodiment and Inscription -- Materials Science -- Techniques of the Body -- Notes -- Bibliography -- Index. |
520 | _a"Who speaks? The author as producer, the contingency of the text, intertextuality, the "device"-core ideas of modern literary theory-were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts-starting with Homer and the Bible-had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices"-- | ||
520 | _a"A history of the concept of orality (that is, the creation and transmission of literary works without the use of writing), this book shows awareness of this medium emerging from the encounter of many literary and scientific developments (romanticism, post-symbolism, structuralism; physiology, psychology, the study of expression, anthropology; phonography, cinema)"-- | ||
520 | _aMachine generated contents note: -- Preface -- Introduction: Weighing Hearsay -- 1. Poetry Without Poems or Poets -- "Two or Three Hundred Rhythmic Formulae -- Festivals of Rhythm -- The Oral Style -- Formula as System -- Langue, Parole, and Constraint -- 2. Writing as One Form of Notation -- The Epic Cyborg -- "Word for Word" -- Stitches in Time -- 3. Autography -- The Inscribing Ear -- "Speech is a Movement" -- The Patois of Parnassus -- A Difference of Fifteen Cycles -- 4. The Human Gramophone -- "Errores Modernistarum" -- The Gospel of Movement -- A Bone Gallery -- "Four Obscure Jews" -- Gallo-Galilean Civilization -- 5. Embodiment and Inscription -- Materials Science -- Techniques of the Body -- Notes -- Bibliography -- Index | ||
650 | 0 | _aOral tradition | |
650 | 0 | _aPoetics | |
650 | 0 | _aOrality in literature | |
650 | 0 | _aStorytelling | |
650 | 0 |
_aFolk literature _xHistory and criticism |
|
653 | _aClass of Fall 2018 | ||
653 | _aJohn P. Birkelund Fellow in the Humanities | ||
653 | _aFellow | ||
689 | 0 | 0 |
_Ds _0(DE-588)4040600-3 _0(DE-627)106222414 _0(DE-576)209041242 _aMündliche Überlieferung _2gnd |
689 | 0 | 1 |
_Ds _0(DE-588)4078937-8 _0(DE-627)106075934 _0(DE-576)209210516 _aVolkskunde _2gnd |
689 | 0 | _5DE-101 | |
924 | 0 |
_a1619649772 _bDE-1a _91a _cGBV _dc _g1 A 973001 _h2 |
|
924 | 0 |
_a1724768832 _bDE-18 _918 _cGBV _dd _gVKK-C6/53 _h18/308 |
|
924 | 0 |
_a1635427053 _bDE-B2226 _9B 2226 _cGBV _dd _g808 S2595e |
|
936 | r | v |
_aLB 29000 _bDarstellung ohne geografischen Bezug _kForschungsgeschichte _kFachgrenzen und Verhältnis zu anderen Wissenschaften _kDarstellung ohne geografischen Bezug _0(DE-627)1328785254 _0(DE-625)rvk/90525:772 _0(DE-576)25878525X |
936 | r | v |
_aLC 60000 _bDarstellung ohne geografischen Bezug _kKunst und Wissen _kSprache und Literatur _kEthnolinguistik, Kommunikation allgemein _kDarstellung ohne geografischen Bezug _0(DE-627)1271727803 _0(DE-625)rvk/90667:772 _0(DE-576)201727803 |
936 | b | k |
_a73.63 _jOrale Traditionen _xEthnologie _0(DE-627)106420453 |
942 |
_oF:GR72 .S28 2016 _8F _cNC |
||
951 | _aBO | ||
999 |
_c1376 _d1376 |
||
003 | DE-4047 |