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100 | 1 |
_aDe la Durantaye, Leland _d1972- _eVerfasserIn _0(DE-588)1057691887 _0(DE-627)796164258 _0(DE-576)413168905 _4aut |
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245 | 1 | 0 |
_aBeckett's art of mismaking _cLeland de la Durantaye |
264 | 1 |
_aCambridge, Massachusetts _aLondon _bHarvard University Press _c2016 |
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300 |
_ax, 194 pages _c25 cm |
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336 |
_aText _btxt _2rdacontent |
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337 |
_aohne Hilfsmittel zu benutzen _bn _2rdamedia |
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338 |
_aBand _bnc _2rdacarrier |
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500 | _aIncludes bibliographical references (pages 179-187) and index | ||
505 | 8 | 0 | _aIntroduction: The art of mismakingFirst forms to accommodate the mess, or the artifice of artificiality -- The will to mismake, or fish and chips -- Nature painting -- The alibi of a foreign language -- To hell with all this fucking scenery, or on symbols -- No symbols where none intended -- The psychopathology of character creation, or the series -- Conclusion: Aesthetic pessimism. |
505 | 8 | 0 | _aThe art of mismaking -- First forms to accommodate the mess -- The will to mismake, or fish and chips -- Nature painting -- The alibi of a foreign language -- To hell with all this fucking scenery -- No symbols where none intended -- The psychopathology of character creation, or the series -- Conclusion: Aesthetic pessimism |
520 | _aIntroduction: The art of mismaking -- First forms to accommodate the mess -- The will to mismake, or fish and chips -- Nature painting -- The alibi of a foreign language -- To hell with all this fucking scenery -- No symbols where none intended -- The psychopathology of character creation, or the series -- Conclusion: Aesthetic pessimism | ||
600 | 1 | 0 |
_aBeckett, Samuel _d1906-1989 _xCriticism and interpretation |
600 | 1 | 0 |
_aBeckett, Samuel _d1906-1989 _xTechnique |
600 | 1 | 0 |
_aBeckett, Samuel _d1906-1989 _xLiterary style |
650 | 0 | _aErrors and blunders, Literary | |
653 | _aClass of Spring 2012 | ||
653 | _aClass of Fall 2011 | ||
653 | _aHoltzbrinck Fellow | ||
653 | _aFellow | ||
653 | _aWritten at the Academy | ||
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