000			02168cam a2200541 4500
001			788155822
003			DE-627
003			DE-4047
005			20230727175032.0
007			tu
008			140617s2015 xxu||||| 00| ||eng c
010			_a 2014002191
020			_a9780199337026 _chardcover
020			_a9780199337033 _cpbk.
035			_a(DE-627)788155822
035			_a(DE-599)GBV788155822
035			_a(OCoLC)903684290
040			_aDE-627 _bger _cDE-627 _erda
041			_aeng
044			_cXD-US
050		0	_aPN1995.9.E96
082	0		_a791.43/6 _qLOC _223
084			_aEC 4350 _qBSZ _2rvk _0(DE-625)rvk/20558:
084			_a24.32 _2bkl
084			_a24.31 _2bkl
100	1		_aSitney, P. Adams _d1944- _0(DE-588)141633093 _0(DE-627)630398259 _0(DE-576)325058040 _4aut
245	1	4	_aThe cinema of poetry _cP. Adams Sitney
264		1	_aNew York _bOxford Univ. Press _c[2015]
300			_aXII, 276 p _bIll. _c25 cm
336			_aText _btxt _2rdacontent
337			_aOhne Hilfsmittel zu benutzen _bn _2rdamedia
338			_aBand _bnc _2rdacarrier
500			_aIncludes bibliographical references (pages 257-270) and index
505	8	0	_aIntroduction: An autobiography of enthusiasmsPart 1. Poetry and the narrative cinema in Europe -- Pier Paolo Pasolini and "the cinema of 'poetry'" -- Dimitri Kirsanoff's Ménilmontant -- Ingmar Bergman's Primal scene -- Andrey Tarkovsky's concept of poetry -- Part 2. Poetry and the American avant-garde cinema -- The dialectic of experience in Joseph Cornell's films -- Lawrence Jordan's Magical instructions -- Stan Brakhage's poetics -- 8 Nathaniel Dorsky, Jerome Hiler, and the polyvalent film -- Gregory J. Markopoulos and the Temenos.
650		0	_aExperimental films _zEurope _xHistory and criticism
650		0	_aExperimental films _zUnited States _xHistory and criticism
650		0	_aPoetry in motion pictures
650		0	_aMotion pictures _xAesthetics
653			_aClass of Spring 2011
653			_aAnna-Maria Kellen Fellow
653			_aFellow
653			_aWritten at the Academy
936	r	v	_aEC 4350
936	b	k	_a24.32
936	b	k	_a24.31
942			_cNC _2lcc
951			_aBO
999			_c1469 _d1469