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008 | 121016s2013 xxu||||| 00| ||eng c | ||
010 | _a 2012036999 | ||
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_a9780816674695 _chbk. : acid-free paper _9978-0-8166-7469-5 |
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_a9780816677290 _cpbk. _9978-0-8166-7729-0 |
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_aOn writing with photography _cKaren Beckman and Liliane Weissberg, editors |
264 | 1 |
_aMinneapolis _aLondon _bUniversity of Minnesota Press _c[2013] |
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300 |
_axvii, 345 pages _billustrations _c23 cm |
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336 |
_aText _btxt _2rdacontent |
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_aohne Hilfsmittel zu benutzen _bn _2rdamedia |
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_aBand _bnc _2rdacarrier |
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500 | _aIncludes bibliographical references and index | ||
505 | 8 | 0 | _aFrom the birth of photography to the death of the author/ Marcy J. DiniusPicturing the great unknown: John Wesley Powell and the divergent paths of art and science in the representation of the Colorado River and Utah canyonlands/ Roderick Coover -- "Watch how dem touris' like fe look": tourist photography and Claude McKay's Jamaica/ Leah Rosenberg -- Captured things: Man Ray's object photography/ Janine Mileaf -- Photography's linguistic turn: on Werner Graeff's here comes the new photographer!/ Daniel H. Magilow -- The power of what is not there: James Agee's Let us now praise famous men/ Stuart Burrows -- Playing doll/ Liliane Weissberg -- Situating images: photography, writing, and cinema in the work of Guy Debord/ Tyrus Miller -- The generation of postmemory/ Marianne Hirsch -- Picturing the specter of history: Zhang Ailing's visual practice/ Xiaojue Wang -- Sphinxes without secrets: W.G. Sebald's albums and the aesthetics of photographic exchange/ Adrian Daub -- Nothing to say: the war on terror and the mad photography of Roland Barthes/ Karen Beckman. |
505 | 8 | 0 | _aFrom the birth of photography to the death of the author/ Marcy J. Dinius -- Picturing the great unknown: John Wesley Powell and the divergent paths of art and science in the representation of the Colorado River and Utah canyonlands/ Roderick Coover -- "Watch how dem touris' like fe look": tourist photography and Claude McKay's Jamaica/ Leah Rosenberg -- Captured things: Man Ray's object photography/ Janine Mileaf -- Photography's linguistic turn: on Werner Graeff's here comes the new photographer!/ Daniel H. Magilow -- The power of what is not there: James Agee's Let us now praise famous men/ Stuart Burrows -- Playing doll/ Liliane Weissberg -- Situating images: photography, writing, and cinema in the work of Guy Debord/ Tyrus Miller -- The generation of postmemory/ Marianne Hirsch -- Picturing the specter of history: Zhang Ailing's visual practice/ Xiaojue Wang -- Sphinxes without secrets: W.G. Sebald's albums and the aesthetics of photographic exchange/ Adrian Daub -- Nothing to say: the war on terror and the mad photography of Roland Barthes/ Karen Beckman. |
650 | 0 | _aLiterature and photography | |
653 | _aClass of Spring 2020 | ||
653 | _aAnna-Maria Kellen Fellow | ||
653 | _aFellow | ||
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_Ds _0(DE-588)4035964-5 _0(DE-627)106245015 _0(DE-576)209015608 _aLiteratur _2gnd |
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_aAP 94300 _bKünstlerische Entwicklung _kMedien- und Kommunikationswissenschaften, Kommunikationsdesign _kFotografie _kBiografie, Geschichte _kKünstlerische Entwicklung _0(DE-627)1270636162 _0(DE-625)rvk/8148: _0(DE-576)200636162 |
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