000			02006cam a22004812 4500
001			613645316
003			DE-627
005			20230208142004.0
007			tu
008			091125s1994 xxu||||| 00| ||eng c
010			_a 94006626
020			_a0807613568 _90-8076-1356-8
020			_a0807613576 _cpbk. _90-8076-1357-6
035			_a(DE-627)613645316
035			_a(DE-599)GBV613645316
035			_a(JUB)b1009250x
040			_aDE-627 _bger _cDE-627 _erakwb
041			_aeng
044			_cXD-US
050		0	_aN66
082	0		_a701 _qLOC _220
100	1		_aSchapiro, Meyer _d1904-1996 _4aut
245	1	0	_aTheory and philosophy of art _bstyle, artist, and society _cMeyer Schapiro
264		1	_aNew York _bGeorge Braziller _c1994
300			_avii, 253 p _bill _c24 cm
336			_aText _btxt _2rdacontent
337			_aohne Hilfsmittel zu benutzen _bn _2rdamedia
338			_aBand _bnc _2rdacarrier
490	0		_aSelected papers _v4
500			_aIncludes bibliographical references and index
505	8	0	_aOn some problems in the semiotics of visual art: field and vehicle in image-signs -- On perfection, coherence, and unity of form and content -- Style (with bibliography) -- Eugène Fromentin as critic -- Still life as a personal object-a note on Heidegger and van Gogh -- Further notes on Heidegger and van Gogh -- Freud and Leonardo: an art historical study -- Further notes on Freud and Leonardo -- Diderot on the artist and society -- Mr. Berenson's values -- On the relation of patron and artist: comments on a proposed model for the scientist.
650		0	_aArt _xPhilosophy
650		0	_aArt and society
650		0	_aArt and religion
653			_aLasky collection
889			_w(DE-627)826838782
924	0		_a1806336707 _bDE-579 _9579 _cGBV _dc _gN66 .S345 1994
924	0		_a1545061912 _bDE-1911 _91911 _cGBV _dc _gKU-WIS-Scha-1994
924	0		_a1635219809 _bDE-B2226 _9B 2226 _cGBV _dd _g701 S2995t
942			_oL:N66 .S345 1994 _8L _cNC
951			_aBO
999			_c2084 _d2084
003			DE-4047