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_aRehding, Alexander _0(DE-588)14018516X _0(DE-627)61646410X _0(DE-576)314966617 _4aut |
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_aMusic and monumentality _bcommemoration and wonderment in nineteenth-century Germany _cAlexander Rehding |
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_aOxford [u.a.] _bOxford Univ. Press _c2009 |
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_aVII, 308 S. _bIll., Notenbeisp. |
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_aohne Hilfsmittel zu benutzen _bn _2rdamedia |
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| 500 | _aIncludes bibliographical references and index | ||
| 520 | _aIntroduction : perspectives on musical monumentality -- The time of musical monuments -- Musical apotheoses -- Sounding souvenirs -- Classical values -- Collective historia -- Faustian descents -- Epilogue : Beethoven's Ninth at the Wall | ||
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_aArchivierung prüfen _c20200919 _fDE-640 _z2 _2pdager |
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| 650 | 0 | _aSublime, The, in music | |
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_aMusic _zGermany _y19th century _xHistory and criticism |
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| 653 | _aClass of Fall 2022 | ||
| 653 | _aBerlin Prize Fellow | ||
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_Az _2gnd _aGeschichte 1800-1900 |
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_iOnline-Ausg. _aRehding, Alexander _tMusic and monumentality _dOxford : Oxford University Press, 2009 _h1 online resource (vii, 308 p.) _w(DE-627)1003251692 _w(DE-576)514946830 _z9780199852499 |
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