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| 010 | _a 2007044714 | ||
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_a9780520254824 _ccloth : alk. paper |
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_aCalico, Joy Haslam _d1965- _0(DE-588)136765521 _0(DE-627)694638803 _0(DE-576)301264783 _4aut |
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_aBrecht at the opera _cJoy H. Calico |
| 263 | _a0808 | ||
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_aBerkeley, Calif. [u.a.] _bUniversity of California Press _cc2008 |
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| 300 |
_aXVI, 282 S _bNotenbeisp. _c23cm |
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_aText _btxt _2rdacontent |
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_aohne Hilfsmittel zu benutzen _bn _2rdamedia |
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| 490 | 1 |
_aCalifornia studies in twentieth-century music _v9 |
|
| 500 | _aIncludes bibliographical references (p. ) and index | ||
| 505 | 8 | 0 | _aLehrstück, opera, and the new audience contract of the epic theater -- The operatic roots of gestus in The mother and Roundheads and peakedheads -- Fragments of opera in American exile -- Lucullus : opera and national identity -- Brecht's legacy for opera : estrangement from the canon |
| 520 | _aLehrstück, opera, and the new audience contract of the epic theater -- The operatic roots of gestus in 'The mother' and 'Round heads and pointed heads' -- Fragments of opera in American exile -- 'Lucullus' : opera and national identity -- Brecht's legacy for opera : estrangement and the canon | ||
| 583 | 1 |
_aArchivierung prüfen _c20200919 _fDE-640 _z3 _2pdager |
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| 600 | 1 | 0 |
_aBrecht, Bertolt _d1898-1956 _xCriticism and interpretation |
| 600 | 1 | 0 |
_aBrecht, Bertolt _d1898-1956 _xKnowledge _xMusic |
| 600 | 1 | 4 |
_aBrecht _xBertolt _x1898-1956 _xCriticism and interpretation |
| 600 | 1 | 4 |
_aBrecht _xBertolt _x1898-1956 _xKnowledge _xMusic |
| 650 | 0 | _aOpera | |
| 650 | 4 | _aOpera | |
| 653 | _aClass of Fall 2005 | ||
| 653 | _aAnna-Maria Kellen Fellow | ||
| 653 | _aFellow | ||
| 653 | _aWritten at the Academy | ||
| 830 | 0 |
_aCalifornia studies in 20th century music _v9 _99 _w(DE-627)528348752 _w(DE-576)090618335 _w(DE-600)2281440-1 |
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| 856 | 4 | 2 |
_uhttp://www.loc.gov/catdir/toc/ecip083/2007044714.html _v2016-07-13 _3Inhaltsverzeichnis |
| 856 | 4 | 2 |
_uhttp://www.h-net.org/reviews/showrev.php?id=22959 _v2016-07-13 _yBook review (H-Net) |
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