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100 1 _aChu, Patricia P.
_d1959-
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245 1 0 _aWhere I have never been
_bmigration, melancholia, and memory in Asian American narratives of return
_cPatricia P. Chu
246 3 3 _aMigration, melancholia, and memory in Asian American narratives of return
246 3 3 _aAsian American narratives of return
264 1 _aPhiladelphia
_aRome
_aTokyo
_bTemple University Press
_c2019
300 _axv, 255 Seiten
_c23 cm
336 _aText
_btxt
_2rdacontent
337 _aohne Hilfsmittel zu benutzen
_bn
_2rdamedia
338 _aBand
_bnc
_2rdacarrier
490 0 _aAsian American history and culture
500 _aIncludes bibliographical references and (pages 231-245) and index
505 8 0 _tIntroduction -- "Ears Attuned to Two Cultures": Reconciling Accounts in Cultural Curiosity -- Transpacific Echos in the Family Memoir: Sojourns and Returns in Lisa See's On Gold Mountain -- "The One Who Mediates": Mimicry, Melancholia, and Countermemory in The Concubine's Children -- Working Through Diasporic Melancholia: Winberg and May-lee Chai's The Girl From Purple Mountain -- "A Being...from a Different World": Yung Wing and the Making of a Global Subjectivity -- "To Bring the Dead to Life": Countermemories in Minatoya's Stangeness of Beauty and Ozeki's A Tale for the Time Being -- Coda.
520 _a"This manuscript looks at migration, melancholia, and memory in what the author calls "Asian American narratives of return," or fiction and nonfiction narratives in which the narrator visits the ancestral homeland in Asia"--
520 _a"In researching accounts of diasporic Chinese offspring who returned to their parents' ancestral country, author Patricia Chu learned that she was not alone in the experience of growing up in America with an abstract affinity to an ancestral homeland and community. The bittersweet emotions she had are shared in Asian American literature that depicts migration-related melancholia, contests official histories, and portrays Asian American families as flexible and transpacific. Where I Have Never Been explores the tropes of return, tracing both literal return visits by Asian emigrants and symbolic "returns": first visits by diasporic offspring. Chu argues that these Asian American narratives seek to remedy widely held anxieties about cultural loss and the erasure of personal and family histories from public memory. In fiction, memoirs, and personal essays, the writers of return narratives--including novelists Lisa See, May-lee Chai, Lydia Minatoya, and Ruth Ozeki, and best-selling author Denise Chong, diplomat Yung Wing, scholar Winberg Chai, essayist Josephine Khu, and many others--register and respond to personal and family losses through acts of remembrance and countermemory"--
650 0 _aAmerican literature
_xAsian American authors
_xHistory and criticism
650 0 _aAsian Americans in literature
650 0 _aAmerican literature
_y20th century
_xHistory and criticism
650 0 _aAmerican literature
_y21st century
_xHistory and criticism
650 0 _aEmigration and immigration in literature
650 0 _aHomeland in literature
650 0 _aReturn in literature
650 0 _aMelancholy in literature
650 0 _aMemory in literature
650 0 _aAsian Americans
_xEthnic identity
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_aChu, Patricia P., author
_tWhere I have never been
_dPhiladelphia : Temple University Press, 2019
_w(DLC)2018034177
856 4 2 _uhttps://www.gbv.de/dms/bowker/toc/9781439902264.pdf
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856 4 2 _uhttp://tupress.temple.edu/book/0634
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_bÜbrige ethnische Gruppen
_kAmerikanische Literatur
_k20. Jahrhundert
_kLiteraturgeschichte
_kStile, Richtungen, Gruppen
_kEthnische Gruppen
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