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_aChu, Patricia P. _d1959- _eVerfasserIn _0(DE-588)1159321264 _0(DE-627)1022935771 _0(DE-576)504607472 _4aut |
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_aWhere I have never been _bmigration, melancholia, and memory in Asian American narratives of return _cPatricia P. Chu |
246 | 3 | 3 | _aMigration, melancholia, and memory in Asian American narratives of return |
246 | 3 | 3 | _aAsian American narratives of return |
264 | 1 |
_aPhiladelphia _aRome _aTokyo _bTemple University Press _c2019 |
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300 |
_axv, 255 Seiten _c23 cm |
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_aText _btxt _2rdacontent |
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_aohne Hilfsmittel zu benutzen _bn _2rdamedia |
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490 | 0 | _aAsian American history and culture | |
500 | _aIncludes bibliographical references and (pages 231-245) and index | ||
505 | 8 | 0 | _tIntroduction -- "Ears Attuned to Two Cultures": Reconciling Accounts in Cultural Curiosity -- Transpacific Echos in the Family Memoir: Sojourns and Returns in Lisa See's On Gold Mountain -- "The One Who Mediates": Mimicry, Melancholia, and Countermemory in The Concubine's Children -- Working Through Diasporic Melancholia: Winberg and May-lee Chai's The Girl From Purple Mountain -- "A Being...from a Different World": Yung Wing and the Making of a Global Subjectivity -- "To Bring the Dead to Life": Countermemories in Minatoya's Stangeness of Beauty and Ozeki's A Tale for the Time Being -- Coda. |
520 | _a"This manuscript looks at migration, melancholia, and memory in what the author calls "Asian American narratives of return," or fiction and nonfiction narratives in which the narrator visits the ancestral homeland in Asia"-- | ||
520 | _a"In researching accounts of diasporic Chinese offspring who returned to their parents' ancestral country, author Patricia Chu learned that she was not alone in the experience of growing up in America with an abstract affinity to an ancestral homeland and community. The bittersweet emotions she had are shared in Asian American literature that depicts migration-related melancholia, contests official histories, and portrays Asian American families as flexible and transpacific. Where I Have Never Been explores the tropes of return, tracing both literal return visits by Asian emigrants and symbolic "returns": first visits by diasporic offspring. Chu argues that these Asian American narratives seek to remedy widely held anxieties about cultural loss and the erasure of personal and family histories from public memory. In fiction, memoirs, and personal essays, the writers of return narratives--including novelists Lisa See, May-lee Chai, Lydia Minatoya, and Ruth Ozeki, and best-selling author Denise Chong, diplomat Yung Wing, scholar Winberg Chai, essayist Josephine Khu, and many others--register and respond to personal and family losses through acts of remembrance and countermemory"-- | ||
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_aAmerican literature _xAsian American authors _xHistory and criticism |
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650 | 0 | _aAsian Americans in literature | |
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_aAmerican literature _y20th century _xHistory and criticism |
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_aAmerican literature _y21st century _xHistory and criticism |
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650 | 0 | _aEmigration and immigration in literature | |
650 | 0 | _aHomeland in literature | |
650 | 0 | _aReturn in literature | |
650 | 0 | _aMelancholy in literature | |
650 | 0 | _aMemory in literature | |
650 | 0 |
_aAsian Americans _xEthnic identity |
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_iErscheint auch als _nOnline-Ausgabe _aChu, Patricia P., author _tWhere I have never been _dPhiladelphia : Temple University Press, 2019 _w(DLC)2018034177 |
856 | 4 | 2 |
_uhttps://www.gbv.de/dms/bowker/toc/9781439902264.pdf _mDE-601 _qpdf/application _v2020-01-19 _3Inhaltsverzeichnis |
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_uhttp://tupress.temple.edu/book/0634 _qapplication _yInhaltsbeschreibung & Leseprobe |
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