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020 _a9780226649276
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100 1 _aLiebersohn, Harry
_d1951-
_eVerfasserIn
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245 1 0 _aMusic and the new global culture
_bfrom the great exhibitions to the jazz age
_cHarry Liebersohn
264 1 _aChicago
_aLondon
_bThe University of Chicago Press
_c[2019]
264 4 _c©2019
300 _a343 Seiten
_bDiagramme
336 _aText
_btxt
_2rdacontent
337 _aohne Hilfsmittel zu benutzen
_bn
_2rdamedia
338 _aBand
_bnc
_2rdacarrier
490 0 _aBig issues in music
520 _aCraft. A German connoisseur in cosmopolitan England ; An English craftsman discovers world music -- Science. Sound in historical time ; Scales around the world ; Is it noise, or is it music? ; Music's global archive -- Commerce. Phonographs around the world ; Americans abroad : innocents and transnationals ; A global empire of sound ; Commerce versus culture.
650 0 _aMusic and globalization
_xHistory
650 0 _aWorld music
_xHistory and criticism
650 0 _aEthnomusicology
_xHistory
650 0 _aGlobalization
_xHistory
650 0 _aSound recording industry
_xHistory
653 _aClass of Spring 2017
653 _aEllen Maria Gorrissen Fellow
653 _aFellow
653 _aWritten at the Academy
776 1 _z9780226649306
_ce-book
776 0 8 _iErscheint auch als
_nOnline-Ausgabe
_aLiebersohn, Harry, 1951 -
_tMusic and the new global culture
_dChicago : The University of Chicago Press, 2019
_h1 Online-Ressource (343 Seiten)
_w(DE-627)1681479346
_z9780226649306
856 4 2 _uhttps://www.gbv.de/dms/bowker/toc/9780226649276.pdf
_mDE-601
_qpdf/application
_v2020-01-19
_3Inhaltsverzeichnis
936 r v _aLR 57186
936 b k _a15.07
942 _cNC
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951 _aBO
999 _c4765
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