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_aLiebersohn, Harry _d1951- _eVerfasserIn _0(DE-588)136102050 _0(DE-627)577162624 _0(DE-576)164887997 _4aut |
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_aMusic and the new global culture _bfrom the great exhibitions to the jazz age _cHarry Liebersohn |
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_aChicago _aLondon _bThe University of Chicago Press _c[2019] |
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_a343 Seiten _bDiagramme |
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_aohne Hilfsmittel zu benutzen _bn _2rdamedia |
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490 | 0 | _aBig issues in music | |
520 | _aCraft. A German connoisseur in cosmopolitan England ; An English craftsman discovers world music -- Science. Sound in historical time ; Scales around the world ; Is it noise, or is it music? ; Music's global archive -- Commerce. Phonographs around the world ; Americans abroad : innocents and transnationals ; A global empire of sound ; Commerce versus culture. | ||
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_aMusic and globalization _xHistory |
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_aWorld music _xHistory and criticism |
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_aEthnomusicology _xHistory |
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_aGlobalization _xHistory |
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_aSound recording industry _xHistory |
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653 | _aClass of Spring 2017 | ||
653 | _aEllen Maria Gorrissen Fellow | ||
653 | _aFellow | ||
653 | _aWritten at the Academy | ||
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_iErscheint auch als _nOnline-Ausgabe _aLiebersohn, Harry, 1951 - _tMusic and the new global culture _dChicago : The University of Chicago Press, 2019 _h1 Online-Ressource (343 Seiten) _w(DE-627)1681479346 _z9780226649306 |
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