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007			tu
008			171012s2018 xxu||||| 00| ||eng c
010			_a 2017044982
020			_a9780299315801 _c : hardcover
035			_a(DE-627)1000273946
035			_a(DE-599)GBV1000273946
035			_a(OCoLC)1048607821
040			_aDE-627 _beng _cDE-627 _erda
041			_aeng
044			_cXD-US _cXA-GB
050		0	_aPQ150.N67
082	0		_a840.9/35844361 _qLOC _223
084			_a17.93 _2bkl
084			_a18.23 _2bkl
100	1		_aAmine, Laila _eVerfasserIn _0(DE-588)1170197191 _0(DE-627)1037633164 _0(DE-576)512431760 _4aut
245	1	0	_aPostcolonial Paris _bfictions of intimacy in the City of Light _cLaila Amine
264		1	_aMadison, Wisconsin _aLondon _bThe University of Wisconsin Press _c[2018]
300			_axi, 241 Seiten _bIllustrationen _c24 cm
336			_aText _btxt _2rdacontent
337			_aohne Hilfsmittel zu benutzen _bn _2rdamedia
338			_aBand _bnc _2rdacarrier
490	0		_aAfrica and the diaspora: history, politics, culture
500			_aIncludes bibliographical references (pages 205-220) and index
520			_aIn the global imagination, Paris is the city's glamorous center, ignoring the Muslim residents in its outskirts except in moments of spectacular crisis such as terrorist attacks or riots. But colonial immigrants and their French offspring have been a significant presence in the Parisian landscape since the 1940s. Expanding the narrow script of what and who is Paris, Laila Amine explores the novels, films, and street art of Maghrebis, Franco-Arabs, and African Americans in the City of Light, including fiction by Charef, Charibi, Guène, Sebbar, Baldwin, Smith, and Wright, and such films as La haine, Made in France, Vivre me tue, and Nuit d'Octobre. Spanning the decades from the post-World War II era to the present day, Amine demonstrates that the postcolonial other is both peripheral to and intimately entangled with all the ideals so famously evoked by the French capital--romance, modernity, equality, and liberty. In their work, postcolonial writers and artists have juxtaposed these ideals with colonial tropes of intimacy (the interracial couple, the harem, the Arab queer) to expose their hidden violence. Amine highlights the intrusion of race in everyday life in a nation where, officially, it does not exist
650		0	_aFrench literature _zFrance _zParis _xNorth African authors _xHistory and criticism
650		0	_aAfrican American authors _zFrance _zParis
650		0	_aPostcolonialism in literature
651		0	_aParis (France) _xIn literature
653			_aClass of Fall 2020
653			_aAndrew W. Mellon Fellow in the Humanities
653			_aFellow
776	0	8	_iErscheint auch als _nOnline-Ausgabe _aAmine, Laila _tPostcolonial Paris _dMadison, Wisconsin : The University of Wisconsin Press, 2018 _h1 Online-Ressource (xi, 241 Seiten) _w(DE-627)1025032306 _w(DE-576)514964022 _z9780299315832
936	b	k	_a17.93
936	b	k	_a18.23
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951			_aBO
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003			DE-4047