000 | 03122cam a22004574a 4500 | ||
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001 | 14175312 | ||
003 | DE-4047 | ||
005 | 20241113153210.0 | ||
008 | 051121s2006 nju b 001 0 eng | ||
010 | _a 2005034091 | ||
015 |
_aGBA659140 _2bnb |
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016 | 7 |
_a013504747 _2Uk |
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020 | _a0691126593 (alk. paper) | ||
020 | _a9780691126593 (alk. paper) | ||
035 | _a(OCoLC)ocm62330881 | ||
035 | _a(OCoLC)62330881 | ||
040 |
_aDLC _cDLC _dBAKER _dUKM _dC#P _dCOO _dYDXCP _dBTCTA _dDLC |
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042 | _apcc | ||
050 | 0 | 0 |
_aML1255 _b.B68 2006 |
082 | 0 | 0 |
_a784.2/18409034 _222 |
100 | 1 |
_aBonds, Mark Evan _d1954- _9331 |
|
245 | 1 | 0 |
_aMusic as thought : _blistening to the symphony in the age of Beethoven / _cMark Evan Bonds. |
260 |
_aPrinceton, N.J. : _bPrinceton University Press, _cc2006. |
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300 |
_axx, 169 p. ; _c25 cm. |
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504 | _aIncludes bibliographical references (p. [153]-166) and index. | ||
505 | 0 | _aPrologue. An unlikely genre : the rise of the symphony -- Listening with imagination : the revolution in aesthetics. From Kant to Hoffmann ; Idealism and the changing perception of perception ; Idealism and the new aesthetics of listening -- Listening as thinking : from rhetoric to philosophy. Listening in a rhetorical framework ; Listening in a philosophical framework ; Art as philosophy -- Listening to truth : Beethoven's Fifth Symphony. The infinite sublime ; History as knowing ; The synthesis of conscious and unconscious ; Organic coherence ; Beyond the sublime -- Listening to the aesthetic state : cosmopolitanism. The communal voice of the symphony ; The imperatives of individual and social synthesis ; The state as organism ; Schiller's idea of the aesthetic state ; Goethe's pedagogical province -- Listening to the German State : nationalism. German nationalism ; The symphony as a 'German' genre ; The performance politics of the music festival ; The symphony as democracy -- Epilogue. Listening to form : the refuge of absolute music. | |
590 | _a"I am also grateful to the American Academy in Berlin, where as the DaimlerChrysler Fellow during the fall of 2002 I worked on something more nearly resembling the present book. Gary Smith, Paul Stoop, Marie Unger, and the entire staff there created a setting that provided the ideal mix of sociability and solitude needed for turning an idea into a book." -- page XI | ||
650 | 0 |
_aSymphony _y19th century. |
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650 | 0 | _aMusic appreciation. | |
650 | 0 |
_aMusic _xPhilosophy and aesthetics. |
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653 | _aFellow | ||
653 | _aDaimlerChrysler | ||
653 | _aClass of Fall 2002 | ||
653 | _aWritten at the Academy | ||
856 | 4 | 1 |
_3Table of contents _uhttp://www.loc.gov/catdir/toc/ecip063/2005034091.html |
856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy0801/2005034091-b.html |
856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0801/2005034091-d.html |
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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942 |
_2lcc _cNC |
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999 |
_c9205 _d9205 |