The voice in the headphones David Grubbs
Material type: TextLanguage: English Publisher: Durham London Duke University Press 2020Description: 146 SeitenContent type:- Text
- ohne Hilfsmittel zu benutzen
- Band
- 9781478007685
- 9781478008132
- 811/.54
- PS3557.R76
Item type | Current library | Collection | Call number | Status | Notes | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
single unit book | HAC Library - Holdings of the American Academy in Berlin HAC – 1st floor – Library Room – Open Stacks | F (Affiliated) | F:PS3557.R76 V65 2020 (Browse shelf(Opens below)) | Available | Hardcover | 2024-0116 |
Browsing HAC Library - Holdings of the American Academy in Berlin shelves, Shelving location: HAC – 1st floor – Library Room – Open Stacks, Collection: F (Affiliated) Close shelf browser (Hides shelf browser)
F:PQ7298.12.O76 T4913 2014 Texas : the great theft / | F:N6997.M7 T87 2017 Moscow vanguard art 1922-1992 | F:PS3557.R76 N69 2018 Now that the audience is assembled | F:PS3557.R76 V65 2020 The voice in the headphones | F:PS3557.R76 G66 2022 Good night the pleasure was ours / | F:ML410.C24 G78 2014 Records ruin the landscape John Cage, the sixties, and sound recording | F:DK5417 .K566 2024 Collisions the origins of the war in Ukraine and the new global instability |
"THE VOICE IN THE HEADPHONES is a book-length poem, largely but not exclusively in prose. Following in form Grubbs's previous book, Now the Audience is Assembled, which was about a musical performance, this book takes the reader into the recording booth. The poem takes place within the recording studio and Grubbs's fictional band, The Familiar Faces, surfaces and disappears throughout the text as the poems cycle through the creative process of music making and recording. The basic unit of each piece is the page, and the book presents itself in a hybridized form, recontextualizing contemporary poetry, using the language of recording in the studio as the material for the poem. The book is one continuous poem, flowing and looping through the forms and cycles of a studio recording session. Grubbs describes the process of recording as well as the emotions, tools, and systems that undergird music making. The past arrives in the musician's headphones, and the voice mixes with creativity in a series of loops. The poem loops in and on itself, in a way reminiscent of a record or a CD, returning to the present and to the beat. Grubbs describes his influences and inspirations. The Familiar Faces, his band, recur throughout the book within the lines of each page, which are a metaphor for the studio and the music venue. The reader follows Grubbs's creative journey through double takes. The lines rise and fall with the crescendo of the studio. The book is the rehearsal space, and the music is in each new line. This book will be of interest to music scholars and students, readers of the avant-garde arts, and creative writers"--
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